Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"In a conversation some time ago with my friend
Thomas Astle, Esq., F. R. S. and A. S., relative
to the legibility of ancient MSS. a question arose,
whether the inks in use eight or ten centuries ago,
which are often found to have preserved their colour
remarkably well, were made of different materials
from those employed in later times, of which many
are already become so pale as scarcely to be read.
With a view to the decision of this question, Mr.
Astle obligingly furnished me with several MSS.,
on parchment and vellum, from the ninth to the
fifteenth centuries inclusively, some of which were
still black, and others of different shades of colour,
from a deep yellowish brown to a very pale yellow,
in some parts so faint as to be scarcely visible. On
all of these I made experiments with the chemical
re-agents which appeared to me best adapted to
the purpose, namely, alkalis both simple and phlogisticated,
the mineral acids, and infusions of galls.
"It would be tedious and superfluous to enter into
a detail of the particular experiments, as all of
them, one instance only excepted, agreed in the
general result, to shew that the ink employed
anciently, as far as the above-mentioned MSS.
extended, was of the same nature as the present;
for the letters turned of a reddish or yellow brown
with alkalis, became pale, and were at length
obliterated, with the dilute mineral acids, and the
drop of acid liquor which had extracted a letter,
changed to a deep blue or green on the addition of
a drop of phlogisticated alkali; moreover, the letters
acquired a deeper tinge with the infusion of
galls, in some cases more, in others less. Hence
it is evident, that one of the ingredients was iron,
which there is no reason to doubt was joined with
the vitriolic acid; and the colour of the more perfect
MSS. which in some was deep black, and in others
purplish black, together with the restitution of that
colour, in those which had lost it, by the infusion
of galls, sufficiently proved that another of the ingredients
was a stringent matter, which from history
appears to be that of galls. No trace of a black
pigment of any sort was discovered, the drop of
acid which had completely extracted a letter, appearing
of an uniform pale ferrugineous color, without
an atom of black powder, or other extraneous
matter, floating in it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account