Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"As to the durability of the more ancient inks,
it seemed, from what occurred to me in these experiments,
to depend very much on a better preparation
of the material upon which the writing was
made, namely, the parchment or vellum; the blackest
letters being those which had sunk into it
deepest. Some degree of effervescence was commonly
to be perceived when the acids came into
contact with the surface of these old vellums. I
was led, however, to suspect, that the more modern;
for in general the tinge of colour, produced by the
phlogisticated alkali in the acid laid upon them,
seemed less deep; which, however, might depend
in part upon the length of time they have been
kept: and perhaps more gum was used in them,
or possible they were washed over with some kind
of varnish, though not such as gave gloss.
"One of the specimens sent me by Mr. Astle,
of the fifteenth century, and the letters were those
of an engrossing hand, angular, without any FINE
strokes, broad and very black. On this none of
the above-mentioned re-agents produced any considerable
effect; most of them seemed to make the
letters blacker, probably by cleaning the surface;
and the acids, after having been rubbed strongly on
the letters, did not strike any deeper tinge with the
phlogisticated alkali. Nothing had a sensible effect
toward obliterating these letters but what took off
part of the surface of the vellum, when small rolls,
as of a dirty matter, were to be perceived. It is
therefore unquestionable, that no iron was used in
this ink; and from its resistance to the chemical
solvents, as well as a certain clotted appearance in
the letters when examined closely, and in some
places a slight degree of gloss, I have little doubt
but they were formed with a composition of a black,
sooty or carbonaceous powder and oil, probably
something like our present printer's ink, and am not
without suspicion that they were actually printed
(a subsequent examination of a larger portion of
this supposed MSS. has shown that it is really a part
of a very ancient printed book).
Public-domain text, read in full here on John Shaqi.
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