Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
"The method I have hitherto found to answer
best has been to spread the alkali thin with a
feather or a bit of stick cut to a blunt point, though
the alkali has occasioned no sensible change of
colour, yet the moment that the acid comes upon it,
every trace of a letter turns at once to a fine blue,
which soon acquires its full intensity, and is beyond
comparison stronger than the colour of the original
trace had been. If now the corner of a bit of blotting
paper be carefully and dexterously applied
near the letters, in order to suck up the superfluous
liquor, the staining of the parchment may be in a
great measure avoided: for it is this superfluous
liquor which absorbing part of the colouring matter
from the letters becomes a dye to whatever it touches.
Care must be taken not to bring the blotting paper
in contact with the letters, because the colouring
matter is soft whilst wet, and may easily be rubbed
off. The acid I have chiefly employed has been
the marine; but both the vitriolic and nitrous succeed
very well. They should undoubtedly be so
far diluted as not to be in danger of corroding the
parchment, after which the degree of strength does
not seem to be a matter of much nicety.
"The method now commonly practiced to restore
old writings, is by wetting them with an infusion
of galls in white wine."
(See a complicated process for the preparation of
such a liquor in Caneparius De Atramentis, A. D.
1660, p. 277)
"This certainly has a great effect; but is subject,
in some degree, to the same inconvenience as the
phlogisticated alkali, of staining the substance on
which the writing was made. Perhaps if, instead
of galls themselves, the peculiar acid of or other
matter which strikes the black with iron were separated
from the simple astringent matter, for which
purpose two different processes are given by Piesenbring
and by Scheele, this inconvenience might
be avoided. It is not improbable, likewise, that a
phlogisticated alkali might be prepared better suited
to this object than the common; as by rendering it
as free as possible from iron, diluting it to a certain
degree, or substituting the volatile alkali for the
fixed. Experiment would most likely point out
many other means of improving the process described
above; but in its present state I hope it
may be of some use, as it not only brings out a
prodigious body of colour upon letters which were
before so pale as to be almost invisible, but has
the further advantages over the infusions of galls,
that it produces its effect immediately, and can be
confined to these letters only for which such assistance
is wanted."
Public-domain text, read in full here on John Shaqi.
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