Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
The Society of Arts in 1830, received a communication
from Dr. Bostock, in the course of which he
stated that the "tannin, mucilage and extractive
matter are without doubt the principal causes of the
difficulty which is encountered in the formation of a
perfect and durable ink and for a good ink the essential
ingredients are gallic acid and a sesqui salt of
iron." Owing to his working with galls he was unable
to make decisive experiments, but he concludes,
and that rightly, that in proportion as ink consists
merely of gallate of iron, it is less liable to decomposition
and any kind of metamorphosis.
In 1831 the Academy of Sciences in France took
up the matter and designated a committee composed
of chemists with instructions to study the subject of a
permanent ink. After long research it reported that
it was unable to recommend any better ink than the
tanno-gallate of iron one then in use, but "it should
be properly compounded."
Peddington investigated, 1841-48, the ancient MSS.
collected by the Asiatic Society of Bengal, Calcutta,
and published the results in "Examination of Some
Decayed Oriental Works in the Library of the Asiatic
Society," which are of much interest as relating to
"mineral" inks, the "gall" inks being unknown in
Asia after the twelfth century.
Up to thirty-five years ago, the manufacture of
"gall" inks necessitated a complicated series of processes
and long periods of time to enable the ink to
settle properly, etc. It was Professor Penny of the
Anderson University who suggested the way to avoid
one of the processes pertaining to ink-making by
utilizing the known fact, that tannin is more soluble
in cold than in warm or hot water. It was adopted
all over the world and revolutionized the manufacture
of ink, by doing away with boiling processes and hot
macerations of ingredients. With hardly in exception
the best tanno-gallate of iron ("gall") inks are
now "cold" made.
CHAPTER XIII.
STUDY OF INK.
INVESTIGATIONS BY STARK OF INK QUALITIES COVERING
A PERIOD OF TWENTY-THREE YEARS--ABSTRACT FROM
HIS REPORT OF 1855--DR. CHILTON EXPERIMENTS IN
NEW YORK CITY 1856--ACTION OF THE PRUSSIAN
GOVERNMENT IN 1859 AND EMPLOYMENT OF AN OFFICIAL
INK--WATTENBACH'S GERMAN TREATISE ON THE
ARCHIVES OF THE MIDDLE AGES--WILLIAM INGLIS
CLARK ATTEMPTS TO PLACE THE MANUFACTURE OF INK
ON A SCIENTIFIC BASIS--SUBMITS HIS VALUABLE
RESEARCHES AND DEDUCTIONS TO THE ENINBURGH
UNIVERSITY IN 1879--SCHLUTTIG AND NEUMANN IN
1890 ESTABLISH A STANDARD FORMULA FOR IRON
AND GALL INK--NAMES OF SOME INK INVESTIGATORS
OF THE NINETEENTH CENTURY.
DR. JAMES STARK, a famous chemist, submitted the
results of twenty-three years of investigations of writing
inks in a paper read by him in 1855 before the
Society of Arts, in Edinburg, Scotland. The following
is the abstract as printed by the London Artisan
at the time:
Public-domain text, read in full here on John Shaqi.
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