Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.Carvalho, David Nunes
History
Forty Centuries of Ink: Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink.
Carvalho, David Nunes
Ink
Schluttig and Neumann in 1890 issued their
Edition Dresden on the subject of "Iron and Gall
inks." In this valuable work is to be found the
formula which has been generally adopted as the
standard where one is used for tanno-gallate of iron ink.
The investigations of other scientific men like Lepowitz,
Booth, Desormeaux, Chevreuse, Irvine, Traille,
Bottger, Riffault, Precht, Nicholes, Runge, Gobert,
Penny, Arnold, Thomson (Lord Kelvin), Davids, Kindt,
Ure, Wislar and many more who have dealt with the
chemistry of inks, present to us some testimony during
a considerable portion of the nineteenth century
of the efforts made to secure a good ink.
CHAPTER XIV.
CLASSIFICATIONS OF INK.
INK USED BY US HAS NOTHING IN COMMON WITH THAT
OF THE ANCIENTS--MANUFACTURERS OF THE PRESENT
TIME HAVE LARGELY UTILIZED FORMULAS EMPLOYED
IN PAST CENTURIES--THE COMMON ACCEPTATION OF
THE TERM INK--SEVEN DIFFERENT CLASSES OF INKS
AND THEIR COMPOSITION BRIEFLY TOLD--FAILURE OF
EFFORTS TO SECURE A REAL SAFETY INK.
THE inks used by us have nothing in common with
those of the ancients except the color and gum, and
mighty little of that.
Those of the "gall" class employed in the fourteenth,
fifteenth, sixteenth, seventeenth and eighteenth
centuries, some formulas of which are utilized
by the manufacturers of ink in our own time, consisted
generally in combination; infusions of nut-galls, sulphate
of copper or iron, or both, and fish-glue or gum,
slightly acidulated. The frequent introduction of the
so-called "added" color into these inks, time has shown
to have been a grave mistake.
The common acceptation of the term "ink" may be
said to characterize an immense number of fluid compounds,
the function of which in connection with a
marking instrument is to delineate conventional signs,
characters and letters as put together and commonly
called writing, on paper or like substances.
To classify them would be impossible; but black
writing ink, chemical writing fluid, colored writing
ink, copying ink, India ink, secret or sympathetic ink,
and indelible ink make seven classes; the others may
be denominated under the head of miscellaneous inks,
and of them all, there is no single ink answering every
requirement and few answer at all times the same requirements.
Ink may be either a clear solution of any
coloring matter or of coloring matter held in suspension.
It is a remarkable fact that although most inks
are chemical compositions and many times made after
the same formula, identical results cannot always be
calculated or obtained. This is more particularly to be
noted in the case of black writing inks otherwise
known as the tanno-gallate of iron inks [gallic and gallotanic
acid obtained from nut-galls, sulphate of iron,
(green copperas) and some gummy vehicle].
Public-domain text, read in full here on John Shaqi.
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