from He keeps it away, so that, although to the last, for penitence, we may be reminded of our sins, and our enemies come again and again to the open door of memory, in Him we are secure. He is our defence, and our peace is impregnable. PSALM XXXVI THE GREATER REALISM Like the twenty-third Psalm, the thirty-sixth seems to fall into two unconnected parts, but with this difference, that while both of the twenty-third are understood by us, and heartily enjoyed, of the thirty-sixth we appreciate only those verses, 5-10, which contain an adoration of God's mercy and righteousness. Verses 1-4, a study of sin, are unintelligible in our versions, and hardly ever sung, except in routine, by a Christian congregation. So sudden is the break between the two parts, and so opposite their contents, that they have been taken by some critics to be fragments of independent origin. This, however, would only raise the more difficult question: Why, being born apart, and apparently so unsympathetic, were they ever wedded? To a more careful reading the Psalm yields itself a unity. The sudden break from the close study of sin to the adoration of God's grace is designed, and from his rhapsody the Psalmist returns to pray, in verses 10-12, against that same evil with which he had opened his poem. Indeed, it is in this, its most admirable method, more than in details, that the Psalm is instructive and inspiring. The problem of Israel's faith was the existence of evil in its most painful form of the successful and complacent sinner, the oppressor of good men. This problem our Psalm takes, not, like other Psalms, in its cruel bearing upon the people of God, but in its mysterious growth in the character of the wicked man. Through four verses of vivid realism we follow the progress of sin. Then, when eye and heart are full of the horror, the Psalmist steps suddenly back, and lifts his gaze beyond and above his study of evil to God's own world that stretches everywhere. The effect is to put the problem into a new perspective. The black bulk which had come between the Singer and his Sun shrinks from his new position to a point against that universal goodness of the Lord, and he conceives not only courage to pray against it, but the grace to feel it already beneath his feet. This is not an intellectual solution of the problem of evil: but it is a practical one. The Psalm is a study--if we can call anything so enthusiastic a study--in proportion; the reduction of the cruel facts of experience to their relation to other facts as real but of infinite comfort and glory; the expansion, in short, of the words of verse 9: _In Thy light we see light_. The Psalmist's analysis of sin has been spoiled in translation. Take our Old Version, or the Revised one, and you will find no meaning in the first two verses, but take the rendering offered on the margin by the Revisers (and approved by most scholars), and you get a meaning intelligible, profound, and true to experience: