France -- Social life and customs -- Fiction; Short stories
Mignon was listening with half-closed eyelids and nervously twisting a
great diamond ring round his finger. He had quite understood that Nana
was in question. Then as Bordenave was drawing a portrait of his new
star, which lit a flame in the eyes of the banker, he ended by joining
in the conversation.
“Oh, let her alone, my dear fellow; she’s a low lot! The public will
show her the door in quick time. Steiner, my laddie, you know that my
wife is waiting for you in her box.”
He wanted to take possession of him again. But Steiner would not quit
Bordenave. In front of them a stream of people was crowding and
crushing against the ticket office, and there was a din of voices, in
the midst of which the name of Nana sounded with all the melodious
vivacity of its two syllables. The men who stood planted in front of
the notices kept spelling it out loudly; others, in an interrogative
tone, uttered it as they passed; while the women, at once restless and
smiling, repeated it softly with an air of surprise. Nobody knew Nana.
Whence had Nana fallen? And stories and jokes, whispered from ear to
ear, went the round of the crowd. The name was a caress in itself; it
was a pet name, the very familiarity of which suited every lip. Merely
through enunciating it thus, the throng worked itself into a state of
gaiety and became highly good natured. A fever of curiosity urged it
forward, that kind of Parisian curiosity which is as violent as an
access of positive unreason. Everybody wanted to see Nana. A lady had
the flounce of her dress torn off; a man lost his hat.
“Oh, you’re asking me too many questions about it!” cried Bordenave,
whom a score of men were besieging with their queries. “You’re going to
see her, and I’m off; they want me.”
He disappeared, enchanted at having fired his public. Mignon shrugged
his shoulders, reminding Steiner that Rose was awaiting him in order to
show him the costume she was about to wear in the first act.
“By Jove! There’s Lucy out there, getting down from her carriage,” said
La Faloise to Fauchery.
It was, in fact, Lucy Stewart, a plain little woman, some forty years
old, with a disproportionately long neck, a thin, drawn face, a heavy
mouth, but withal of such brightness, such graciousness of manner, that
she was really very charming. She was bringing with her Caroline Hequet
and her mother—Caroline a woman of a cold type of beauty, the mother a
person of a most worthy demeanor, who looked as if she were stuffed
with straw.
“You’re coming with us? I’ve kept a place for you,” she said to
Fauchery. “Oh, decidedly not! To see nothing!” he made answer. “I’ve a
stall; I prefer being in the stalls.”
Lucy grew nettled. Did he not dare show himself in her company? Then,
suddenly restraining herself and skipping to another topic:
“Why haven’t you told me that you knew Nana?”
“Nana! I’ve never set eyes on her.”
“Honor bright? I’ve been told that you’ve been to bed with her.”
Public-domain text, read in full here on John Shaqi.
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