France -- Social life and customs -- Fiction; Short stories
But Mignon, coming in front of them, his finger to his lips, made them
a sign to be silent. And when Lucy questioned him he pointed out a
young man who was passing and murmured:
“Nana’s fancy man.”
Everybody looked at him. He was a pretty fellow. Fauchery recognized
him; it was Daguenet, a young man who had run through three hundred
thousand francs in the pursuit of women and who now was dabbling in
stocks, in order from time to time to treat them to bouquets and
dinners. Lucy made the discovery that he had fine eyes.
“Ah, there’s Blanche!” she cried. “It’s she who told me that you had
been to bed with Nana.”
Blanche de Sivry, a great fair girl, whose good-looking face showed
signs of growing fat, made her appearance in the company of a spare,
sedulously well-groomed and extremely distinguished man.
“The Count Xavier de Vandeuvres,” Fauchery whispered in his companion’s
ear.
The count and the journalist shook hands, while Blanche and Lucy
entered into a brisk, mutual explanation. One of them in blue, the
other in rose-pink, they stood blocking the way with their deeply
flounced skirts, and Nana’s name kept repeating itself so shrilly in
their conversation that people began to listen to them. The Count de
Vandeuvres carried Blanche off. But by this time Nana’s name was
echoing more loudly than ever round the four walls of the entrance hall
amid yearnings sharpened by delay. Why didn’t the play begin? The men
pulled out their watches; late-comers sprang from their conveyances
before these had fairly drawn up; the groups left the sidewalk, where
the passers-by were crossing the now-vacant space of gaslit pavement,
craning their necks, as they did so, in order to get a peep into the
theater. A street boy came up whistling and planted himself before a
notice at the door, then cried out, “Woa, Nana!” in the voice of a
tipsy man and hied on his way with a rolling gait and a shuffling of
his old boots. A laugh had arisen at this. Gentlemen of unimpeachable
appearance repeated: “Nana, woa, Nana!” People were crushing; a dispute
arose at the ticket office, and there was a growing clamor caused by
the hum of voices calling on Nana, demanding Nana in one of those
accesses of silly facetiousness and sheer animalism which pass over
mobs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account