France -- Social life and customs -- Fiction; Short stories
But above all the din the bell that precedes the rise of the curtain
became audible. “They’ve rung; they’ve rung!” The rumor reached the
boulevard, and thereupon followed a stampede, everyone wanting to pass
in, while the servants of the theater increased their forces. Mignon,
with an anxious air, at last got hold of Steiner again, the latter not
having been to see Rose’s costume. At the very first tinkle of the bell
La Faloise had cloven a way through the crowd, pulling Fauchery with
him, so as not to miss the opening scene. But all this eagerness on the
part of the public irritated Lucy Stewart. What brutes were these
people to be pushing women like that! She stayed in the rear of them
all with Caroline Hequet and her mother. The entrance hall was now
empty, while beyond it was still heard the long-drawn rumble of the
boulevard.
“As though they were always funny, those pieces of theirs!” Lucy kept
repeating as she climbed the stair.
In the house Fauchery and La Faloise, in front of their stalls, were
gazing about them anew. By this time the house was resplendent. High
jets of gas illumined the great glass chandelier with a rustling of
yellow and rosy flames, which rained down a stream of brilliant light
from dome to floor. The cardinal velvets of the seats were shot with
hues of lake, while all the gilding shone again, the soft green
decorations chastening its effect beneath the too-decided paintings of
the ceiling. The footlights were turned up and with a vivid flood of
brilliance lit up the curtain, the heavy purple drapery of which had
all the richness befitting a palace in a fairy tale and contrasted with
the meanness of the proscenium, where cracks showed the plaster under
the gilding. The place was already warm. At their music stands the
orchestra were tuning their instruments amid a delicate trilling of
flutes, a stifled tooting of horns, a singing of violin notes, which
floated forth amid the increasing uproar of voices. All the spectators
were talking, jostling, settling themselves in a general assault upon
seats; and the hustling rush in the side passages was now so violent
that every door into the house was laboriously admitting the
inexhaustible flood of people. There were signals, rustlings of
fabrics, a continual march past of skirts and head dresses, accentuated
by the black hue of a dress coat or a surtout. Notwithstanding this,
the rows of seats were little by little getting filled up, while here
and there a light toilet stood out from its surroundings, a head with a
delicate profile bent forward under its chignon, where flashed the
lightning of a jewel. In one of the boxes the tip of a bare shoulder
glimmered like snowy silk. Other ladies, sitting at ease, languidly
fanned themselves, following with their gaze the pushing movements of
the crowd, while young gentlemen, standing up in the stalls, their
waistcoats cut very low, gardenias in their buttonholes, pointed their
opera glasses with gloved finger tips.
Public-domain text, read in full here on John Shaqi.
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