Really, my dear Roger, nicest of all _Bräutigams,_ pleasantest, best, and certainly most charming, I don't think I'll write to you again in the evenings. One of those hard clear hours that lie round breakfast-time will be the most seemly for consecration to you. Moods are such queer things, each one so distinct and real, so seemingly eternal, and I am influenced by them to an extraordinary degree. The weather, the time of day, the light in the room--yes, actually the light in the room, sunlight, cloudlight, lamplight--the scent of certain flowers, the sound of certain voices--the instant my senses become aware of either of these things I find myself flung into the middle of a fresh mood. And the worst part of it is the blind enthusiasm with which I am sure that as I think and feel at that moment so will I think and feel for ever. Nothing cures me. No taking of myself aside, no weight of private admonishment, no bringing of my spirit within the white glare of pure reason. Oh, women are fools; and of all fools the most complete is myself. But that's not what I want to talk about. I want to say that I had to go to a _Kaffee-Klatsch_ yesterday at four, which is why I put off answering your letter of the 13th till the evening. My dear Roger, you must take no notice of that letter. Pray think of me as a young person of sobriety; collected, discreet, cold to frostiness. Think of me like that, my dear, and in return I'll undertake to write to you only in my after-breakfast mood, quite the most respectable I possess. It is nine now. Papa, in the slippers you can't have forgotten, is in his corner by the stove, loudly disagreeing with the morning paper; he keeps on shouting _Schafskopf._ Johanna is carrying coals about and dropping them with a great noise. My step-mother is busy telling her how wrong it is to drop dirty coals in clean places. I am writing on a bit of the breakfast-table, surrounded by crumbs and coffee-cups. I will not clear them away till I've finished my letter, because then I am sure you'll get nothing either morbid or lovesick. Who, I'd like to know, could flame into love-talk or sink into the mud of morbidness from a starting-point of anything so sprightly as crumbs and coffee-cups?