Tell me, what mood were you in when you wrote? Was it not, apart from its dejection, one rather inclined to peevishness? You ask, for instance, why I write so much about a tipsy trumpeter when I know you are anxious to hear about the other things I never tell you. I can't imagine what they are. You must let me write how and what I like--bear with me while I discourse of roses and nasturtium-beds, of rain and sunshine, clouds and wind, cats, birds, servants, even trumpeters. My life holds nothing greater than these. If you want to hear from me you must hear also of them. And why have you taken so bitter a dislike to our gifted young neighbor down the hill, calling him contemptuously a fiddler? He is certainly a fiddler, if to fiddle in one's hours of ease produces one, and perhaps you would be twice as happy as you are if you could fiddle half so wonderfully as he does. He is gone. His holiday either came to an end or was put to an end by Johanna's _fiancé._ Now, in these early September days, this season of mists and mellow fruitfulness, of cloudy mornings and calm evenings and golden afternoons, he has turned his back on the hills and forests, on the reddening creepers and sweetening grapes, on the splash of water among ferns and rocks, on all those fresh, quiet things that make life worth having, and is sitting at a desk somewhere in Berlin doggedly bent on becoming, by means of a great outlay of days and years, a _Landrath_, a _Regierungsrath,_ a _Geheimrath_, and a _Wirklicher Geheimrath mit dem Prädikat Excellenz_. When he has done that he will take down his hat and go forth at last to enjoy life, and will find to his surprise that it isn't there, that it is all behind him, a heap of dusty days piled in the corners of offices, and that his knees shake as he goes about looking for it, and that he can no longer even tune his fiddle by himself but has to have it done for him by the footman.