Vasari, though not to be depended on in regard to dates--chronology not being his forte--is generally right in the gossip and stories of the lives near his own time, and it is by collateral evidence from his pages that we are able to fix with more certainty 1508 or 1509 as the time of this episode in Albertinelli's life. In 1507 we find him as an artist helping to value his friend's picture, and mediating between the convent and Bernardo del Bianco. [Footnote: Crowe and Cavalcaselle, vol. iii. chap. xvii. p. 544.] Now, in the 'Life of Andrea del Sarto,' we read that Francia Bigio, Albertinelli's pupil, made the acquaintance of Andrea while studying the Cartoons in the Hall of the Council (this was from 1506 to 1508), and as their friendship increased, Andrea confided to Francia Bigio that he could no longer endure the eccentricities of Piero di Cosimo, and determined to seek a home for himself, and that Francia Bigio being also alone--his master Mariotto Albertinelli _having abandoned the art of painting_--they determined to share a studio and rooms. [Footnote: Vasari, vol. iii. p. 182.] The first works the partners undertook were the frescoes of the Scalzo and the Servi, which were begun in 1509. Thus the date is tolerably certain, especially as a gap occurs in Albertinelli's works at this time. Sig. Gaetano Milanesi's researches in the Archives have thrown a new light on Mariotto's motives, which were not entirely connected with art; it was not that he was discouraged by adverse criticism, nor wholly that, as time divided him from his friend, he felt he could produce no great work away from his influence, but it was partly that he had married a wife named Antonia, whose father kept an inn at S. Gallo. It is possible the tavern came to him by way of _dot_, and the above reasons making him discontented with art for a time, might have induced him to carry on the business himself. Sig. Milanesi says a document exists of a contract in which Mariotto's name is connected with a tavern, but that he has never been able to retrace it since the first time he found it. It is his opinion that the whole story arose from the fact of the wife's family possessing this wine shop, and his connection with it in that way.