Mr. Huggins joined me, and we visited together the Arab quarter of Oran. The flat-roofed houses appeared very clean and white. The street was filled with loiterers, and the thresholds were occupied by picturesque groups. Some of the men were very fine. We saw many straight, manly fellows who must have been six feet four in height. They passed us with perfect indifference, evincing no anger, suspicion, or curiosity, hardly caring in fact to glance at us as we passed. In one instance only during my stay at Oran was I spoken to by an Arab. He was a tall, good-humoured fellow, who came smiling up to me, and muttered something about 'les Anglais.' The mixed population of Oran is picturesque in the highest degree: the Jews, rich and poor, varying in their costumes as their wealth varies; the Arabs more picturesque still, and of all shades of complexion--the negroes, the Spaniards, the French, all grouped together, each race preserving its own individuality, formed a picture intensely interesting to me. On Tuesday, the 20th, I was early at the bastionet. The night had been very squally. The sergeant of the sappers had taken charge of our key, and on Tuesday morning Elliot went for it. He brought back the intelligence that the tents had been blown down, and the instruments overturned. Among these was a large and valuable equatorial from the Royal Observatory, Greenwich. It seemed hardly possible that this instrument, with its wheels and verniers and delicate adjustments, could have escaped uninjured from such a fall. This, however, was the case; and during the day all the overturned instruments were restored to their places, and found to be in practical working order. This and the following day were devoted to incessant schooling. I had come out as a general stargazer, and not with the intention of devoting myself to the observation of any particular phenomenon. I wished to see the whole--the first contact, the advance of the moon, the successive swallowing up of the solar spots, the breaking of the last line of crescent by the lunar mountains into Bailey's beads, the advance of the shadow through the air, the appearance of the corona and prominences at the moment of totality, the radiant streamer; of the corona, the internal structure of the flames, a glance through a polariscope, a sweep round the landscape with the naked eye, the reappearance of the soar limb through Bailey's beads, and, finally, the retreat of the lunar shadow through the air.