"I do not suppose that he was similar to the brutes, for as soon as he became a man he thought and felt differently from them. But I cannot form an exact idea of his emotions, and that is what bothers me. I should like to be what the existing state of society allows a great number of men to be from the cradle to the grave--I should like to be a peasant; a peasant who does not know how to read, whom God has endowed with good instincts, a serene organization, and an upright conscience; and I fancy that in the sluggishness of my useless faculties, and in the Ignorance of depraved tastes, I should be as happy as the primitive man of Jean-Jacques's dreams." "I, too, have had this same dream; who has not? But, even so, your reasoning is not conclusive, for the most simple and ingenuous peasant may still be an artist; and I believe even that his art is superior to ours. The form is different, but it appeals more strongly to me than all the forms which belong to civilization. Songs, ballads, and rustic tales say in a few words what our literature can only amplify and disguise." "I may triumph, then?" resumed my friend. "The peasant's art is the best, because it is more directly inspired by nature by being in closer contact with her. I confess I went to extremes in saying that art was good for nothing; but I meant that I should like to feel after the fashion of the peasant, and I do not contradict myself now. There are certain Breton laments, made by beggars, which in three couplets are worth all Goethe and Byron put together, and which prove that appreciation of truth and beauty was more spontaneous and complete in such simple souls than in our most distinguished poets. And music, too! Is not our country full of lovely melodies? And though they do not possess painting as an art, they have it in their speech, which is a hundred times more expressive, forcible, and logical than our literary language." "I agree with you," said I, "especially as to this last point. It drives me to despair that I am obliged to write in the language of the Academy, when I am much more familiar with another tongue infinitely more fitted for expressing a whole order of emotions, thoughts, and feelings." "Oh, yes!" said he, "that fresh and unknown world is closed to modern art, and no study can help you to express it even to yourself, with all your sympathies for the peasant, if you try to introduce it into the domain of civilized art and the intellectual intercourse of artificial life."