France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
The pre-eminence thus accorded to the Parisian _savans_, who are
in general a gang of the vilest ruffians in the world, is a marked
insult to the rest of the Republic, and proves that to rule France it
is only necessary to be master at Paris. For the sake of this city,
France, as well as foreign countries, has been laid under contribution
and pillaged of whatever transportable monuments of art and genius
they possessed. Had it been possible, the triumphal arch at Orange,
the bridge of Gard, the amphitheatre at Nismes would have been removed
here to gratify the fancy of the Parisian rabble of philosophers and
legislators.
The law by which the learned men of a single city were placed on a
level with those who people the whole of a vast country was made
by the very men who afterwards became self-elected members of this
_miscalled_ National Institute. It is no trivial matter to be
one of the 144 resident in Paris. It leads to fame and fortune, to
places and appointments, and it is the highest step on the ladder of
philosophical ambition.
To return to the laws of the Institute, it is divided into three
classes:
FIRST CLASS.--_Physical and Mathematical Sciences._
(1) Mathematics, (2) mechanical arts, (3) astronomy, (4) experimental
physics, (5) chemistry, (6) natural history, (7) botany, (8) anatomy
and zoology, (9) medicine and surgery, (10) rural economy and
veterinary art.
SECOND CLASS.--_Moral and Political Sciences._
(1) Analysis of sensations and ideas, (2) morals or moral philosophy,
(3) social science and legislation, (4) political economy, (5) history,
(6) geography.
It will be observed that in this class there is no section for despised
theology, which surely should have a foremost place therein.
THIRD CLASS.--_Literature and the Fine Arts._
(1) Grammar, (2) ancient languages, (3) poetry, (4) antiquities and
monuments, (5) painting, (6) sculpture, (7) architecture, (8) music and
declamation.
When the National Institute was about to be established a law was
enacted (3rd Brumaire, year 4) by which the Directory were authorised
to provide salaries for each member, and the five members of the
Executive Directory were empowered to nominate the first 48 members,
who _thus_ elected had power to choose the remaining 144
Associates.
In nominating the first 48, the Directors first elected each other,
then their friends, and those friends nominated other friends in Paris
and the Departments.
Every class of the Institute assembles twice in each decade; the
assemblies are private, but each member is allowed to introduce a
visitor.
The secretaries of each class assemble once a year to prepare a
report of its labours, which is presented to the Institute, and whose
president then writes to the Minister of the Interior to know when
it shall please his consular majesty to give admission to his sacred
person in order that they may present it.
[Sidenote: RULES OF NATIONAL INSTITUTE]
Public-domain text, read in full here on John Shaqi.
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