We ought to give some idea of the odd instances, classic and other, with which Montaigne plentifully bestrews his pages. He is writing of the "Force of Imagination." He says: A woman, fancying she had swallowed a pin in a piece of bread, cried and lamented as though she had an intolerable pain in her throat, where she thought she felt it stick; but an ingenious fellow that was brought to her, seeing no outward tumor nor alteration, supposing it to be only a conceit taken at some crust of bread that had hurt her as it went down, caused her to vomit, and, unseen, threw a crooked pin into the basin, which the woman no sooner saw, but, believing she had cast it up, she presently found herself eased of her pain.... Such as are addicted to the pleasures of the field have, I make no question, heard the story of the falconer, who, having earnestly fixed his eyes upon a kite in the air, laid a wager that he would bring her down with the sole power of his sight, and did so, as it was said; for _the tales I borrow, I charge upon the consciences of those from whom I have them_. We italicize the last foregoing words, to make readers see that Montaigne is not to be read for the truth of his instances. He uses what comes to hand. He takes no trouble to verify. "The discourses are my own," he says; but even this, as we have hinted, must not be pressed too hard in interpretation. Whether a given reflection of Montaigne's is strictly his own, in the sense of not having been first another's, who gave it to him, is not to be determined except upon very wide reading, very well remembered, in all the books that Montaigne could have got under his eye. That was full fairly his own, he thought, which he had made his own by intelligent appropriation. And this, perhaps, expresses in general the sound law of property in the realm of mind. At any rate, Montaigne will wear no yoke of fast obligation. He will write as pleases him. Above all things else, he likes his freedom. Here is one of those sagacious historical scepticisms, in which Montaigne was so fond of poising his mind between opposite views. It occurs in his essay entitled, "Of the Uncertainty of our Judgments:"