French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the NigerHourst
History
French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the Niger
Hourst
French -- Sudan; Mali -- Description and travel; Niger River -- Description and travel; Tuaregs
At Kolikoro, the year after this ceremony, the girls who have been
operated on give a fête called the _Wansofili_. In the centre of
the village is a huge baobab tree many centuries old, which is held
sacred by the natives, and is supposed to have the power of making
women prolific. The girls alluded to above gather about this tree
in groups and rub their stomachs against the trunk with a hope
of thus ensuring offspring. The ceremony winds up with a debauch,
during which scenes occur which have perhaps more to do with the
perpetuation of the race of the Bambaras than even the venerated
baobab. One evening when I had gone to witness a _Wansofili_,
I was obliged to imitate the example of Jacob’s son and to flee
from the daughters of the village, lest my dignity as Commander of
the expedition should be compromised. It was too hot for me to be
wearing a mantle, otherwise I should certainly have left it behind me.
On the occasion of the Buluku a certain Kieka-Sanké came to give us
a _tam-tam_ of his own. Kieka-Sanké, I must explain, is a member
of the Koridjuga tribe, a caste with its own special customs and
its own dancers and singers, I might almost say composers.
Sanké was an old acquaintance of mine, and his mummeries had often
amused me. Moreover, the information he had given me had often
been most useful, for the right bank of the river was then still
in the power of the Toucouleurs, and I had neighbours at Guni,
and in Sanké’s own village, on whom it was necessary to keep a
vigilant watch.
Now Sanké’s profession enabled him to go everywhere and to see
everything without being suspected, so that he was often able to warn
me in good time of what the Toucouleurs were thinking of doing. But
those anxious days are over now, and he came to Kolikoro on this
occasion merely to exercise his art. His greatest successes have been
achieved when he has been disguised as a woman, for he is wonderfully
clever at imitating feminine ways. As he dances he strikes a calabash
full of little flints, and composes songs on the spot which are full
of caustic humour. One of his privileges, and he values it greatly,
is that he can say anything to or of anybody without giving offence.
During my first stay at Kolikoro, Sanké was particularly fond of
taking off the Mussulman Toucouleurs, and I remember one day how,
_à propos_ of their many prostrations and genuflexions, he said,
“What pleasure can these fellows give to Allah by showing Him
their backs three times a day!” My lady readers must pardon me;
the Bambara language is in certain expressions no more refined than
the Latin.
[Illustration: THE FLEET OF MY EXPEDITION.]
Public-domain text, read in full here on John Shaqi.
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