We made two straw couches on the _Aube_, and—unheard-of luxury!—we covered over the plank ceilings of the _Davoust_ with pretty yellow mats made in the country, the colours of which harmonized well with the light grey of the wood. Whilst we were thus at work we were able to make our observations at our leisure on the life of the village. We happened to have arrived just at the time of an annual fête, which is the delight of all the natives of Bambara, except perhaps those on whose account it is held. I allude to the ceremony of Buluku, or circumcision, which is performed on male negroes at the age of twelve, whilst young girls of a similar age are subjected to an operation of a corresponding but more barbarous kind. Male and female blacksmiths, who, amongst all the Sudanese tribes, are a class apart, are the operators. The victims are taken outside the village to a wood considered sacred, and there they are compelled to dance and shout till they are exhausted with fatigue, and reduced with the further aid of copious draughts of _libo_, or millet beer, to a state of semi-insensibility. The operation of circumcision is then performed with a sharp little knife, on a mortar for grinding millet turned upside down. The poor children must not utter a cry or even moan, although, judging from the expression of their faces, they suffer a good deal. The young girls undergo a similar treatment, but whereas their brothers are all right again two or three days afterwards, they are ill for more than a month. During the period of convalescence the children are not allowed to return to the huts of their parents. Under the care of the blacksmiths they are to be seen going round and round the villages in small parties singing, and during this march they are allowed to take anything they fancy without paying for it. All this time the girls are covered by big white veils, whilst the boys wear a cap of a peculiar shape; both sexes carry a musical instrument made of pieces of calabash, threaded on a thin branch of some tree, the clinking of which is heard a long way off. [Illustration: THE SACRED BAOBAB OF KOLIKORO.]