Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child. — John Shaqi
Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child.Toohey, John Peter
General
Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child.
Toohey, John Peter
Press agents -- Fiction
A most prepossessing young person whose parents had inflicted upon her
the name of Lolita Murphy was directly responsible for the alarming
symptoms already hinted at. From the precise moment that Lolita came
within his ken Jimmy ceased to be a rational being in full control of
his faculties and his heart, in sympathetic accord with the agitated
condition of its owner, began to put on an antic disposition and
indulged in curious palpitations of a most annoying nature on the
slightest pretext. The usual provocation at first was the sight of
Lolita herself, but after a day or two even the thought of her produced
a cardiac ratiplan that would have done credit to the trap drummer of a
jazz band.
Lolita, it may be mentioned in passing, lived up to all the implications
of the somewhat picturesque cognomen given her by McClintock, the park
manager, when Jimmy first pointed her out to his superior.
“She sure is Miss Lulu Looker,” McClintock had remarked emphatically.
Lolita was all of that and a little more. Jimmy was not a poet and he
was therefore unable to properly voice the feelings he had about her
beauty. Had he been one he might have justly said that her cheeks seemed
to have been kissed by the rosy flush of dawn; that in her sable eyes
there lurked the eternal mystery of night beneath tropic skies; that her
dark hair was as fragrant as the spices of Araby and that her lithe
figure had all the gracile curves of a bounding antelope. As it was he
contented himself with the frequent repetition of the decidedly unpoetic
expression “some gal,” but this represented to him all the ideas noted
above and a liberal assortment of others equally glamorous.
Lolita hailed from Cedar Rapids, Ia., and ever since the memorable
occasion when Maude Adams played “Peter Pan” in that city for “one night
only” she had cherished a great and overwhelming ambition. Her father
ran the drug store next door to the Opera House and was a great crony of
the manager. A number of boys and girls were picked up in each town to
play the children in the Never Never Land scene and Lolita’s fond parent
had persuaded the manager to select her as one of the group. It was a
step that father was to regret vainly for many years, but on the night
of her debut he was blissfully unconscious of the possibility of any
bitter repining in the future and enjoyed the proceedings almost as much
as Lolita did.
Public-domain text, read in full here on John Shaqi.
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