Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child.Toohey, John Peter
General
Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child.
Toohey, John Peter
Press agents -- Fiction
From that time on Lolita felt the call of the footlights and became
convinced that, given the proper opportunities for the externalization
of the emotional feelings that lay dormant within her, she was destined
to become an international celebrity and the queen regnant of the
English speaking stage. Chauncey Olcott came to town a few weeks later
and she persuaded father to work her in as one of the youngsters to whom
he sang a lullaby in a high tenor voice down in the “glen” which is
always the setting for the third act of an Irish play. After that there
was no holding her. She became a student of Miss Amanda Holliday’s
School of Dramatic Expression which occupied three rooms on the second
floor of the Turner block on Main Street and she participated in the
semi-annual entertainments given by the budding geniuses who were under
the tutelage of that small town preceptress of the arts. Versatility was
her middle name. At one time she would play Ophelia in the mad scene
from “Hamlet” and appear later on the program in a Spanish dance with
castanets, a lace mantilla and all the other necessary properties. Six
months later she would combine the balcony scene from “Romeo and Juliet”
with an imitation of an imitation of Eddie Foy she had heard given by a
monologue artist at the Orpheum Theatre. At the age of nineteen she was
the town wonder. The dramatic editor of the Democrat-Chronicle predicted
that within a short time “this talented daughter of our esteemed fellow
townsman Henry P. Murphy seems destined to occupy one of the stellar
places in the front ranks of the worth-while artists of our fair
country.”
Lolita moved on to New York armed with a letter of commendation from
Miss Amanda Holliday setting forth that she was “worthy of any role no
matter what its importance” and urging theatrical managers “not to
neglect this opportunity of obtaining the services of one who is a
mistress of the mimetic art in all its manifold manifestations.” She
also carried a full set of clippings from the Democrat-Chronicle, one
half of her male parent’s attenuated account in the First National Bank
and an over-abundant supply of cheery optimism.
Public-domain text, read in full here on John Shaqi.
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