Among our own poets, two at least of the more eminent have listened to
the siren of our primitive woods. I refer to Bryant and Emerson. Though
so different, there is an Indian's love of forests and forest-solitudes
in them both. Neither Bryant's "Forest Hymn" nor Emerson's "Woodnotes"
could have been written by an English poet. The "Woodnotes" savor of our
vast Northern pine forests, amid which one walks with distended pupil,
and a boding, alert sense.
"In unploughed Maine he sought the lumberers' gang,
Where from a hundred lakes young rivers sprang;
He trode the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone;
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
He saw beneath dim aisles, in odorous beds,
The slight Linnæa hang its twin-born heads,
And blessed the monument of the man of flowers,
Which breathes his sweet fame through the northern bowers.
He heard, when in the grove, at intervals,
With sudden roar the aged pine-tree falls,--
One crash, the death-hymn of the perfect tree,
Declares the close of its green century."
Emerson's muse is urbane, but it is that wise urbanity that is at home
in the woods as well as in the town, and can make a garden of a forest.
"My garden is a forest ledge,
Which older forests bound;
The banks slope down to the blue lake-edge,
Then plunge to depths profound."
On the other hand, we have no pastoral poetry in the English sense,
because we have no pastoral nature as overpowering as the English have.
When the muse of our poetry is not imitative, it often has a piny,
woodsy flavor, that is unknown in the older literatures. The gentle muse
of Longfellow, so civil, so cultivated; yet how it delighted in all
legends and echoes and Arcadian dreams, that date from the forest
primeval. Thoreau was a wood-genius--the spirit of some Indian poet or
prophet, graduated at Harvard College, but never losing his taste for
the wild. The shy, mystical genius of Hawthorne was never more at home
than when in the woods. Read the forest-scenes in the "Scarlet Letter."
They are among the most suggestive in the book.
III
IN CARLYLE'S COUNTRY
In crossing the sea a second time, I was more curious to see Scotland
than England, partly because I had had a good glimpse of the latter
country eleven years before, but largely because I had always preferred
the Scotch people to the English (I had seen and known more of them in
my youth), and especially because just then I was much absorbed with
Carlyle, and wanted to see with my own eyes the land and the race from
which he sprang.
Public-domain text, read in full here on John Shaqi.
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