I suspect anyhow I am more strongly attracted by the Celt than by the
Anglo-Saxon; at least by the individual Celt. Collectively the
Anglo-Saxon is the more impressive; his triumphs are greater; the face
of his country and of his cities is the more pleasing; the gift of
empire is his. Yet there can be no doubt, I think, that the Celts, at
least the Scotch Celts, are a more hearty, cordial, and hospitable
people than the English; they have more curiosity, more raciness, and
quicker and surer sympathies. They fuse and blend readily with another
people, which the English seldom do. In this country John Bull is
usually like a pebble in the clay; grind him and press him and bake him
as you will, he is still a pebble--a hard spot in the brick, but not
essentially a part of it.
Every close view I got of the Scotch character confirmed my liking for
it. A most pleasant episode happened to me down in Ayr. A young man whom
I stumbled on by chance in a little wood by the Doon, during some
conversation about the birds that were singing around us, quoted my own
name to me. This led to an acquaintance with the family and with the
parish minister, and gave a genuine human coloring to our brief sojourn
in Burns's country. In Glasgow I had an inside view of a household a
little lower in the social scale, but high in the scale of virtues and
excellences. I climbed up many winding stone stairs and found the family
in three or four rooms on the top floor: a father, mother, three sons,
two of them grown, and a daughter, also grown. The father and the sons
worked in an iron foundry near by. I broke bread with them around the
table in the little cluttered kitchen, and was spared apologies as much
as if we had been seated at a banquet in a baronial hall. A Bible
chapter was read after we were seated at table, each member of the
family reading a verse alternately. When the meal was over, we went into
the next room, where all joined in singing some Scotch songs, mainly
from Burns. One of the sons possessed the finest bass voice I had ever
listened to. Its power was simply tremendous, well tempered with the
Scotch raciness and tenderness, too. He had taken the first prize at a
public singing bout, open to competition to all of Scotland. I told his
mother, who also had a voice of wonderful sweetness, that such a gift
would make her son's fortune anywhere, and found that the subject was
the cause of much anxiety to her. She feared lest it should be the
ruination of him--lest he should prostitute it to the service of the
devil, as she put it, rather than use it to the glory of God. She said
she had rather follow him to his grave than see him in the opera or
concert hall, singing for money. She wanted him to stick to his work,
and use his voice only as a pious and sacred gift. When I asked the
young man to come and sing for us at the hotel, the mother was greatly
troubled, as she afterward told me, till she learned we were stopping at
a temperance house.
Public-domain text, read in full here on John Shaqi.
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