Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.' — John Shaqi
Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'Rizal, José
History
Friars and Filipinos: An Abridged Translation of Dr. Jose Rizal's Tagalog Novel,; 'Noli Me Tangere.'
Rizal, José
Historical fiction; Philippines -- History -- 1812-1898 -- Fiction
Maria Clara did not have the small eyes of her father. Like her mother,
her eyes were large, black and shaded by long lashes, brilliant and
smiling when she was playing, but sad, deep and pensive at other
times. When a child her wavy hair was almost blond. Her nose was
well formed, neither too large nor too flat. Her mouth was small and
beautifully shaped like that of her mother, and her cheeks were set
with dimples. Her skin was like silk and as white as snow, but her
fond parent found traces of the paternity of Captain Tiago in her
small and well shaped ears.
Aunt Isabel attributed the child's semi-European features to
impressions made upon Doña Pia. She remembered having seen the mother a
short time before the child was born, weeping before the image of San
Antonio. Then, too, a cousin of Captain Tiago had the same features,
the only difference being in the choice of the saints, by which the
phenomenon was explained. With her it was either the Virgin or San
Miguel. A cousin of Captain Tiago, a famous philosopher, who knew
Amat [2] by heart, explained it all by attributing it to the effect
of the planets.
Maria Clara, the idol of all, grew up surrounded by love and
smiles. She won the favor of even the friars when she was dressed in
white for some religious procession, her long, wavy hair interwoven
with flowers, two silver or golden wings attached to the shoulders
of her dress, and holding two white doves, tied with blue ribbons,
in her hand. When she grew up, she was so full of childish mischief
that Captain Tiago did nothing but bless the saints of Obando and
advise everybody to buy handsome statues of that trinity.
In tropical countries a girl becomes a woman at the age of thirteen
or fourteen years, like the plant which buds at night and blooms
the following morning. During this period of transition, so full of
mystery and romance, on the advice of the parish priest, Maria Clara
entered the religious retreat of Santa Catalina in order to receive
from the nuns a strictly religious education. She left Father Dámaso
in tears, and likewise the only friend of her childhood, Crisostomo
Ibarra. Shortly after the entrance to the convent, Ibarra went to
Europe. For seven long years, the girl lived under the vigilance of
the Mother Superior in the iron-grated building, shut off from any
communication with the outer world.
Don Rafael and Captain Tiago, in the meantime, while Ibarra was
in Europe and Maria Clara in the convent, noticing the trend of
affairs, and at the same time having in mind their own interests,
decided that the children should be married. It is needless to say
that this agreement, which was arrived at some years after Ibarra
had left for Europe, was celebrated with equal joy by two hearts,
on opposite sides of the world and amid very different surroundings.
CHAPTER V
AN IDYL ON THE AZOTEA. [3]
Public-domain text, read in full here on John Shaqi.
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