Friends in Council — First SeriesHelps, Arthur, Sir
Philosophy
Friends in Council — First Series
Helps, Arthur, Sir
Conduct of life
_Milverton_. Athletic amusements go on naturally here: do not require so
much fostering as in towns. The commons must be carefully kept: I have
quite a Cobbettian fear of their being taken away from us under some
plausible pretext or other. Well, then, it strikes me that a great deal
might be done to promote the more refined pleasures of life among our
rural population. I hope we shall live to see many of Hullah’s pupils
playing an important part in this way. Of course, the foundation for
these things may best be laid at schools; and is being laid in some
places, I am happy to say.
_Ellesmere_. Humph, music, sing-song!
_Milverton_. Don’t you observe, Dunsford, that when Ellesmere wants to
attack us, and does not exactly see how, he mutters to himself
sarcastically, sneering himself up, as it were, to the attack.
_Ellesmere_. You and Dunsford are both wild for music, from
barrel-organs upwards.
_Milverton_. I confess to liking the humblest attempts at melody.
_Dunsford_. I feel as Sir Thomas Browne tells us he felt, that “even
that vulgar and tavern music, which makes one man merry, another mad,
strikes in me a deep fit of devotion and a profound contemplation of the
first composer. There is something in it of divinity more than the ear
discovers; it is an hieroglyphical and shadowed lesson of the whole world
and creatures of God: such a melody to the ear as the whole world well
understood, would afford the understanding.”
_Milverton_. Apropos of music in country places, when I was going about
last year in the neighbouring county, I saw such a pretty scene at one of
the towns. They had got up a band, which played once a week in the
evening. It was a beautiful summer evening, and the window of my room at
the end overlooked the open space they had chosen for their performances.
There was the great man of the neighbourhood in his carriage looking as
if he came partly on duty, as well as for pleasure. Then there were
burly tradesmen, with an air of quiet satisfaction, sauntering about, or
leaning against railings. Some were no doubt critical—thought that Will
Miller did not play as well as usual this evening. Will’s young wife,
who had come out to look again at him in his band dress (for the band had
a uniform), thought differently. Little boys broke out into imaginary
polkas, having some distant reference to the music: not without grace
though. The sweep was pre-eminent: as if he would say, “Dirty and sooty
as I am I have a great deal of fun in me. Indeed, what would May-day be
but for me?” Studious little boys of the free-school, all green
grasshopper-looking, walked about as boys knowing something of Latin.
Here and there went a couple of them in childish loving way, with their
arms about each other’s necks. Matrons and shy young maidens sat upon
the door-steps near. Many a merry laugh filled up the interludes of
music. And when evening came softly down upon us, the band finished with
Public-domain text, read in full here on John Shaqi.
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