City and town life -- Fiction; Romance fiction, American; Short stories, American
But I am near to my neighbour; and, in a manner to which Elfa's trimness
and wistfulness never have impressed me, near to Elfa herself, and I am
near, near to the village. As I left the outdoors just now, all the
street was alive: with men and girls going to work, women opening
windows, a wagon or two in from a Caledonia farm, a general, universal,
not to say cosmic air of activity and coffee. All the little houses, set
close together up and down the street, were like a friendly porch party,
on a long, narrow veranda, where folk sit knee to knee with an avenue
between for the ice-cream to be handed. All the little lawns and gardens
were disposed like soft green skirts, delicately embroidered, fragrant,
flowing.... As I looked, it seemed to me that I could hear the faint hum
of the village talk--in every house the intimate, revealing confidences
of the Family, quick with hope or anxiety or humour or passion,
animated by its common need to live. And along the street flooded the
sun, akin to the morning quickening in many a heart.
The day has become charged for me with something besides daylight,
something which no less than daylight pervades, illumines, comes to meet
me at a thousand points. I wonder if it can be that, unaware, I did get
near to June?
III
MIGGY
I have never heard the chimes of Westminster cathedral, but when some
time they do sound for me I shall find in them something all my own. For
the old rosewood clock which has told time for me these many years is
possessed of a kind of intelligence because its maker gave to it the
Westminster chimes. Thus, though the clock must by patient ticking teach
the rhythm of duration until the secret monotony of rhythm is confessed,
it has also its high tides of life, rhythmic, too, and at every quarter
hour fills a kind of general creative office: four notes for the
quarter, eight for the half, twelve for the three-quarters, sixteen for
the hour, and then the deep Amen of the strokes. At twelve o'clock it
swells richly to its zenith of expression and almost says something
else. Through even the organ fulness of the cathedral bells I shall hear
the tingling melody of the rosewood clock chimes, for their sweet
incidence has been to me both matins and lullaby and often trembles
within my sleep. I have the clock always with me. It is a little
voice-friend, it is one of those half folk, like flowers and the wind
and an open fireplace and a piano, which are a frail, semi-born race,
wistful of complete life, but as yet only partly overlapping our own
sphere. These fascinate me almost as much as the articulate. That was
why, when my little maid Elfa had brought me the summons to-day, I stood
on the threshold and in some satisfaction watched Miggy, rapt before my
clock in its musical maximum of noon.
Public-domain text, read in full here on John Shaqi.
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