From a Cornish Window: A New EditionQuiller-Couch, Arthur
History
From a Cornish Window: A New Edition
Quiller-Couch, Arthur
English literature -- History and criticism
My old friend and publisher, Mr. Arrowsmith, maintains that the time has
come for a cheap edition of this book. Should the public endorse that
opinion, he will probably go about pretending that his head is as good as
his heart.
_From a Cornish Window_ first appeared between cloth covers some six or
seven years ago. I see that its Dedication bears the date, April 3rd,
1906. But parts of it were written years before in the old _Pall Mall
Magazine_, under the editorship of Lord Frederic Hamilton (who invented
its title for me), and a few fragments date back almost to undergraduate
days. The book, in short, is desultory to the last degree, and discourses
in varying moods on a variety of topics. Yet, turning the pages again,
I find them curiously and somewhat alarmingly consistent--consistent not
only in themselves, but with their surviving author as he sits here
to-day, using the same pen-holder which he bought for twopence in 1886,
and gazing out of the same window, soon to be exchanged for another with a
view more academic: and 'alarmingly consistent' because (as Emerson has
very justly observed) a foolish consistency is the hobgoblin of little
minds. To persevere in one fixed outlook upon life may be evidence of
arrested capacity to grow, while on the other hand mere flightiness
is a sure sign that the mind has not even arrived at man's estate.
The best plan seems to be to care not a farthing for consistency or
inconsistency, but to keep the eye turned outwards, and to keep it fresh
by taking on new interests (however trivial), and reading new books, but
still comparing them with the old. I think we ought to be especially
careful to read new poetry as we get on in life, if only as a discipline--
as men with increasing waists practise calisthenics--because poetry is
always trying to reach beyond the phenomena of life, and because these are
all the while, if imperceptibly, narrowing us within the round of daily
habit. As the author of _Ionica_ put it (I quote from memory)--
Our feelings lose poetic flow
Soon after thirty years or so:
Professionising modern men
Thenceforth admire what pleased them then.
But on the whole I do not regret this consistency, believing that the
years 1896-1906 laid an almost holy constraint on the few who believed
neither in Sham-Imperialism nor in the Superman, to stand together,
to be stubborn, to refuse as doggedly as possible to bow the knee to these
idols, to miss no opportunity of drawing attention to their feet of clay.
Public-domain text, read in full here on John Shaqi.
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