From a Cornish Window: A New EditionQuiller-Couch, Arthur
History
From a Cornish Window: A New Edition
Quiller-Couch, Arthur
English literature -- History and criticism
I seem to perceive that the day of the Superman is drawing to its close.
He is a recurring nuisance, like the influenza, and no doubt will afflict
mankind again in due season. But our generation has enjoyed a peculiarly
poisonous variety of him. In his Renaissance guise, whether projected
upon actual history, as in the person of Richard III, or strutting
sublimated through Marlowe's blank verse, he spared at any rate to
sentimentalise his brutality. Our forefathers summed him up in the
byword that an Italianate Englishman was a devil incarnate; but he _had_
the grace of being Italianate. It is from the Germanised avatar--the
Bismarck of the 'Ems telegram,' with his sentimentalising historians and
philosophers--that Europe would seem to be recovering to-day. Well, I
believe that the Christian virtues, the lovable and honourable code of
ancient gentlemen, may always be trusted to win in the long run, and
extrude the impostor. But while his vogue lasts, it may be of service to
keep reminding men that to falsify another man's dispatch is essentially a
stupider action than to tilt at windmills: and that is the main moral of
my book.
Arthur Quiller-Couch.
December 2nd, 1912.
JANUARY.
Should any reader be puzzled by the title of this discursive volume, the
following verses may provide him with an explanation. They were written
some time ago for a lady who had requested, required, requisitioned
(I forget the precise shade of the imperative) something for her album.
"We are in the last ages of the world," wrote Charles Lamb to Barry
Cornwall, "when St. Paul prophesied that women should be 'headstrong,
lovers of their own will, having albums.--'"
BEATUS POSSIDENS.
I can't afford a mile of sward,
Parterres and peacocks gay;
For velvet lawns and marble fauns
Mere authors cannot pay.
And so I went and pitched my tent
Above a harbour fair,
Where vessels picturesquely rigg'd
Obligingly repair.
The harbour is not mine at all:
I make it so--what odds?
And gulls unwitting on my wall
Serve me for garden-gods.
By ships that ride below kaleid-
oscopically changed,
Unto my mind each day I find
My garden rearranged.
These, madam, are my daffodils,
My pinks, my hollyhocks,
My herds upon a hundred hills,
My phloxes and my flocks.
And when some day you deign to pay
The call that's overdue,
I'll wave a landlord's easy hand
And say, "Admire _my_ view!"
Public-domain text, read in full here on John Shaqi.
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