From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
I would add a few words as to the form of these studies—they may be
found disconnected. They have been written at intervals of time
extending over several years, and my aim has been to prove the
essentially archaic character of _all_ the elements composing the Grail
story rather than to analyse the story as a connected whole. With this
aim in view I have devoted chapters to features which have now either
dropped out of the existing versions, or only survive in a subordinate
form, e.g. the chapters on _The Medicine Man_, and _The Freeing of the
Waters_. The studies will, I hope, and believe, be accepted as offering
a definite contribution towards establishing the fundamental character
of our material; as stated above, when we are all at one as to what the
Holy Grail really was, and is, we can then proceed with some hope of
success to criticize the manner in which different writers have handled
the inspiring theme, but such success seems to be hopeless so long as
we all start from different, and often utterly irreconcilable,
standpoints and proceed along widely diverging roads. One or another
may, indeed, arrive at the goal, but such unanimity of opinion as will
lend to our criticism authoritative weight is, on such lines,
impossible of achievement.
CHAPTER II
The Task of the Hero
As a first step towards the successful prosecution of an investigation
into the true nature and character of the mysterious object we know as
the Grail it will be well to ask ourselves whether any light may be
thrown upon the subject by examining more closely the details of the
Quest in its varying forms; _i.e._, what was the precise character of
the task undertaken by, or imposed upon, the Grail hero, whether that
hero were Gawain, Perceval, or Galahad, and what the results to be
expected from a successful achievement of the task. We shall find at
once a uniformity which assures us of the essential identity of the
tradition underlying the varying forms, and a diversity indicating that
the tradition has undergone a gradual, but radical, modification in the
process of literary evolution. Taken in their relative order the
versions give the following result.
Public-domain text, read in full here on John Shaqi.
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