From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
In _Parzival_ the stress is laid entirely on the sufferings of the
King; the question has been modified in the interests of this theme,
and here assumes the form “What aileth thee, mine uncle?” The blame
bestowed upon the hero is solely on account of the prolonged sorrow his
silence has inflicted on King and people; of a Land laid Waste, either
through drought, or war, there is no mention.
“Iuch solt’ iur wirt erbarmet hân,
An dem Got wunder hât getân,
Und het gevrâget sîner nôt,
Ir lebet, und sît an saelden tôt.”[16]
“Dô der trûrege vischaere
Saz âne fröude und âne trôst
War umb’ iren niht siufzens hât erlôst.”[17]
The punishment falls on the hero who has failed to put the question,
rather than on the land, which, indeed, appears to be in no way
affected, either by the wound of the King, or the silence of the hero.
The divergence from Chrétien’s version is here very marked, and, so
far, seems to have been neglected by critics. The point is also of
importance in view of the curious parallels which are otherwise to be
found between this version and _Perlesvaus;_ here the two are in marked
contradiction with one another.
The question finally asked, the result is, as indicated in the prose
version, the restoration of the King not merely to health, but also to
youth—
“Swaz der Frânzoys heizet flô’rî’
Der glast kom sinem velle bî,
Parzival’s schoen’ was nu ein wint;
Und Absalôn Dâvîdes kint,
Von Askalûn Vergulaht
Und al den schoene was geslaht,
Und des man Gahmurete jach
Dô man’n in zogen sach
Ze Kanvoleis sô wünneclîch,
Ir dechéines schoen’ was der gelîch,
Die Anfortas ûz siecheit truoc.
Got noch künste kan genuoc.”[18]
GALAHAD. In the final form assumed by the story, that preserved in the
_Queste_, the achievement of the task is not preceded by any failure on
the part of the hero, and the advantages derived therefrom are personal
and spiritual, though we are incidentally told that he heals the Fisher
King’s father, and also the old King, Mordrains, whose life has been
preternaturally prolonged. In the case of this latter it is to be noted
that the mere fact of Galahad’s being the predestined winner suffices,
and the healing takes place _before_ the Quest is definitely achieved.
There is no Waste Land, and the wounding of the two Kings is entirely
unconnected with Galahad. We find hints, in the story of Lambar, of a
knowledge of the earlier form, but for all practical purposes it has
disappeared from the story.[19]
Analysing the above statements we find that the results may be grouped
under certain definite headings:
(_a_) There is a general consensus of evidence to the effect that the
main object of the Quest is the restoration to health and vigour of a
King suffering from infirmity caused by wounds, sickness, or old age;
(_b_) and whose infirmity, for some mysterious and unexplained reason,
reacts disastrously upon his kingdom, either depriving it of
vegetation, or exposing it to the ravages of war.
Public-domain text, read in full here on John Shaqi.
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