From Ritual to RomanceWeston, Jessie L. (Jessie Laidlay)
Religion
From Ritual to Romance
Weston, Jessie L. (Jessie Laidlay)
Grail -- Legends -- History and criticism; Romances -- History and criticism
In other forms of the ritual, we find distinct traces of the
resuscitation of the Vegetation Deity, occasionally accompanied by
evidence of rejuvenation. Thus, in Lausitz, on Laetare Sunday (the 4th
Sunday in Lent), women with mourning veils carry a straw figure,
dressed in a man’s shirt, to the bounds of the next village, where they
tear the effigy to pieces, hang the shirt on a young and flourishing
tree, “schöne Wald-Baum,” which they proceed to cut down, and carry
home with every sign of rejoicing. Here evidently the young tree is
regarded as a rejuvenation of the person represented in the first
instance by the straw figure.[7]
In many parts of Europe to-day the corresponding ceremonies, very
generally held at Whitsuntide, include the mock execution of the
individual representing the Vegetation Spirit, frequently known as the
King of the May. In Bohemia the person playing the _rôle_ of the King
is, with his attendants, dressed in bark, and decked with garlands of
flowers; at the conclusion of the ceremonies the King is allowed a
short start, and is then pursued by the armed attendants. If he is not
overtaken he holds office for a year, but if overtaken, he suffers a
mock decapitation, head-dress, or crown, being struck off, and the
pretended corpse is then borne on a bier to the next village.[8]
Mannhardt, discussing this point, remarks that in the mock execution we
must recognize “Ein verbreiteter und jedenfalls uralter Gebrauch.” He
enumerates the various modes of death, shooting, stabbing (in the
latter case a bladder filled with blood, and concealed under the
clothes, is pierced); in Bohemia, decapitation, occasionally drowning
(which primarily represents a rain charm), is the form adopted.[9] He
then goes on to remark that this ceremonial death must have been
generally followed by resuscitation, as in Thuringia, where the ‘Wild
Man,’ as the central figure is there named, is brought to life again by
the Doctor, while the survival, in the more elaborate Spring
processions of this latter character, even where he plays no special
_rôle_, points to the fact that his part in the proceedings was
originally a more important one.
That Mannhardt was not mistaken is proved by the evidence of the
kindred Dances, a subject we shall consider later; there we shall find
the Doctor playing his old-time _rôle_, and restoring to life the slain
representative of the Vegetation Spirit.[10] The character of the
Doctor, or Medicine Man, formed, as I believe, at one time, no
unimportant link in the chain which connects these practices with the
Grail tradition.
Public-domain text, read in full here on John Shaqi.
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