From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
By this time the shadows had begun to fall, and very often I saw
Hawthorne and his wife pass by, arm in arm, she in white and he
dark—dark as the coming night. They spoke in low tones and seemed to be
oblivious of any passers-by. I was told that he went out only at night,
and this made him all the more romantic to me. The truth was that he was
very shy, and so, in the daytime, went only into the woods in back of
his house. He was a great lover of children, but so fearful of meeting
them that he concealed himself in a hollow tree in order to see the
festival that the school gave once a year.
Mr. Channing told me that once he was rowing with Hawthorne on the
Assabet River, the north branch of the Concord. He remarked that the
reflection of the hemlocks in the water was unusual.
“Which is the reflection?” said Hawthorne, pointing first to the
hemlocks and then to the picture in the water. This seems to me to be
very characteristic of Hawthorne’s method of thought.
Concord was an historical spot, and in the summer was overrun with
tourists, who, not content with viewing the scene of the “shot heard
round the world,” etc., would invade the Old Manse. These gangs were
allowed to go all over the house in which Hawthorne once lived, much to
the discomfort and derision of the occupants. One day, when I was still
quite a young man, there was a party of people upstairs nosing around,
and my uncle Gore (Judge Ripley) and I were in the sitting room. My
sister had brought in, not long before, a long, draggly bit of Spanish
moss and put it on the chimney shelf. While the tourists were upstairs,
my uncle rose and, taking the moss, went to the front door, where,
climbing upon a chair, he hung it. It trailed down three or four feet.
When the party came down and started to go out, the moss was evidently
in the way. Lifting it up so that the door would open without catching
it, my uncle bowed and with his best manner as chief justice of the
Minnesota Supreme Court, remarked:
“The moss—of which he wrote!”
[Illustration:
SARAH ALDEN (BRADFORD) RIPLEY
Grandmother of Edward Simmons
(_From a pencil drawing by Edward Simmons_)
]
Every jaw fell; their eyes rolled upward and in dead silence they
marched to their carryall.
A little old woman with mitts and poke bonnet appeared at the Emerson
house one day and begged for a piece of “your dear father’s clothing.”
“I am making a rag carpet of poets’ garments,” she said.
She was refused.
“Is that field yours?” she asked, pointing across the way. She was told
it was.
“Do you mind if I trespass? You see, I am also making a collection of
crickets from poets’ homes.”
I should like to have seen the crickets stuck up in a row on their pins,
but I fancy the rag carpet would have been more amusing. Imagine walking
on Mr. Longfellow’s red flannel shirt!
Public-domain text, read in full here on John Shaqi.
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