From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
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From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
There were two humps in the Monument Land near the Old Manse which were
supposed to be the graves of British soldiers killed in the
Revolutionary War. Hawthorne tells the legend of a boy who chopping wood
there at the time of the battle of Concord, saw one soldier fall, and
went over and finished him with his ax. When my dog Cuff used to start
digging at this place, I always wanted to let him go on, just to see if
one of the skulls was split. During this period of my life, no doubt
aided by the usual school history, I formed a definite idea of the
battle of Concord, and it was not until I tried to paint it for the
Boston State House that I found out the real truth of the matter. And my
enlightenment came from a Britisher!
I naturally started out with a composition of men in red coats, but,
thinking it over, decided to be sure, so I wrote to Trevelyan, author of
that wonderful history of the Revolutionary period, asking him where I
could get information. A very courteous reply told me that he was in the
country and that he did not have his books of reference with him, but
added, “Why do you not go to that excellent library of yours, the Boston
Athenæum, and consult the _Gentleman’s Magazine_ for June, 1775? You’ll
find what you want there.”
I did find what I wanted, and a lot more. For instance, only one out of
ten British soldiers at Concord were redcoats. Those who fought at the
Bridge were the ones who afterward formed the “King’s Own”—a flying
wedge of two hundred men in dark-blue-and-black uniforms. Another little
error of the poet Longfellow’s is that Paul Revere may have been a very
good silversmith, but he never got to Concord. He was only one of a
group of men sent out to warn the countryside, and he, with many others,
was caught by the British and sent back to Boston. And then the flag!
Despite Betsy Ross, I shall have to confess that the Stars and Stripes
turned up the first time at the siege of Boston and were carried by a
body of Connecticut militia.
One of our well-known illustrators has made a drawing of Washington
reviewing his troops under the famous elm at Cambridge (again the flag
floating proudly in the breeze), the soldiers being carefully clothed in
Colonial uniforms. According to the statement of the Rev. William
Emerson, we find a blacksmith of Concord, during the siege of Boston,
which was after the battle at the Bridge, carrying his own gun and
wearing his leather apron. Also, Washington made a pathetic appeal to
Congress for some form of shirt that should distinguish his soldiers
from the citizens, saying that the only way he had to mark his officers
was a red, white, or blue ribbon which they wore in their coats.
About this point in my reading I stopped and changed my entire
composition, taking my cue from the letter which remains for us, from
the American commander at the Bridge. He says:
“I then sprang to my feet, crying, ‘Fire, fellow citizens! Fire!’”
Public-domain text, read in full here on John Shaqi.
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