From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
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From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
My grandmother said, “The law of love is higher than the law of truth,”
and I think she was right, for love is unalterable and truth changes.
Christ’s statements may not be true to us to-day; Einstein with his
“relativity” may have upset Newton’s theory of gravity; but these men
remain just as great as they ever were, for in them we see their
passionate love for what they thought to be true.
Somehow, I can never think of Harvard that I don’t see “Stubby” Child,
with that row of yellow curls around his head like a halo, hurling a
copy of Chaucer’s _Canterbury Tales_ out of the window and shouting to
the class:
“This man is an Oxford graduate and, according to England, is a scholar,
and yet he has substituted the nauseating adjectives ‘gay’ and
‘blithesome’ in that immortal description of the Friar in the line which
runs:
“As _hoot_ he was and _lecherous_ as a sparwe.”
Chapter III. In Search of a Career
_Out West_
Harvard had taught me this—that I did not know a thing—not even the
meaning of human life. Somehow I think a college education is of benefit
to two classes of people only—those who desire to acquire a social
position and those who want to get training in a certain subject. I have
not the battle instinct and could never see any use in competition. If I
had not come of good people I might have wanted to fight to get with
good people, and that is about all college can give. I can remember
getting only one real thrill to go out in the world and do something,
and that was after a sort of valedictory talk by old Doctor Grey. I had
always cared for the out of doors and it appears I stood well in botany.
When the venerable professor told us that it takes fifty years to make a
nutmeg orchard, and that a million dollars was waiting anyone who would
walk into Boston with him the next day and prove to certain capitalists
that he could tell the difference between the male and female nutmeg, my
commercial instinct was aroused and a gleam of ambition came to me for
the first time. I resolved to find out about the male and the female
nutmeg.
There was no way to learn anything about beauty in Harvard—no
instruction in it and no honors for it. Taking their cue from the
Pilgrim Fathers and, since then, the Church, they did not believe in the
value of any of the senses of the body, but only in the quality of the
human mind and the power to ratiocinate. Any expression or feeling for
beauty, except that made by sacred music, was common, vulgar, and to be
repressed. If Harvard could manage to produce one Corot, one Beethoven,
or one Michael Angelo, her name would be known longer in future ages
than it will be for all the small imitation Shakespeares she has sent
out over the country. Even Mr. Emerson, in my opinion, was half ashamed
of his lyrical gift; and the elder Story, the sculptor, is more honored
in Boston for a law book he wrote, before thirty, than for any of his
statues.
Public-domain text, read in full here on John Shaqi.
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