From Seven to Seventy: Memories of a Painter and a Yankee — John Shaqi
From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
The bill for her purchases amounted to about eight dollars, and shortly
after, just as a joke, I was sent to her house to collect it. The same
thin, sallow, worn-looking woman greeted me at the door. She showed,
contrary to my expectations, not the slightest touch of impropriety or
dissipation, but—wonder of wonders—when this woman spoke, the sound was
liquid music, and the words were followed by a smile so dazzling that
one could not help imagining a withered bud suddenly opening into a
beautiful flower. She called me Mr. Bill Collector and bade me sit down
and have a glass of sherry; then she questioned me about my life.
I have been told she lived on, neglected by her daughter, and once
attempting suicide, to a drab and commonplace old age; but I prefer to
think of her as she was that day, calm and beautiful by some expression
within, sitting in the quiet of her drawing-rooms, and showing the most
enthusiastic interest in the absurd aspirations of a callow youth. Laura
Fair was one of the few superwomen I have ever met.
My clerk’s salary was augmented in small ways, and one of the most
pleasant was taking the place of the literary and dramatic critic of the
_Chronicle_ while he went away for a two months’ vacation. After the
performances I used to sneak up to a saloon near the City Hall where
Market Street tailed off into nothing, and write my criticisms of the
plays over a glass of beer. I remember my chagrin when some of the
members of Mrs. Oates’s Opera Bouffe Company hunted out my lair and
burst in upon me almost nightly. It was my good fortune to hold down my
job at the time of the opening of the Baldwin Theater, and also my good
fortune to have saved that structure from burning on the day before its
opening. Strange to say, not in my capacity of critic, but that of clerk
in the store, I went back of the stage of the new theater to deliver
some packages, when I saw a naked gas jet, which was jammed against the
wall, with a flame ten feet long running up against unplaned boards. I
yelled for the stage hands and ran for a bucket of water. In ten minutes
it would have been a roaring holocaust and certain to have destroyed—not
only the theater, but the hotel above.
Public-domain text, read in full here on John Shaqi.
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