From Seven to Seventy: Memories of a Painter and a Yankee — John Shaqi
From Seven to Seventy: Memories of a Painter and a YankeeSimmons, Edward
General
From Seven to Seventy: Memories of a Painter and a Yankee
Simmons, Edward
Artists -- Biography
“To scrub a kitchen floor better than anyone else,” she replied; and he
succumbed, his New England nature realizing that, after all, it might be
well to have one practical person in the family. Mother’s thrifty streak
came in very useful, for a young widow with four lusty children to feed
did not have an easy time in those days. The sun never rose upon her
asleep and her small economies were ever her own pride and the butt of
our selfish derision. After her day’s work was over, it was my
delight—little brute that I was—to lie in bed and listen to her voice,
reading to me from some story of delicious adventure. When her head
drooped and the book fell from her hands, I, still wide awake, would
whine and finally yell, until she pulled herself together and went on.
Mother’s day was an endless round of doing something for others.
From the land where these first American ancestors of mine settled so
long ago, I get the shape of my body and the contour of my face. I look
more like an Iroquois Indian than an Englishman. Some historian has
remarked that the change in the Yankee is due to intermarriage with the
redskins. Imagine the spectacle of a staid Governor Bradford wedded to
an Indian squaw! Two hundred years of the same climate, the same food,
and the same life produced the same type, that’s all.
From Seven to Seventy
“Mon verre n’est pas grand
Mais je bois dans mon verre.”
ALFRED DE MUSSET
Chapter I: Making My Early History
_Concord, Massachusetts_
There may have been much distinction in living in Concord,
Massachusetts, in the ’fifties, but to me, as a boy, the whole town was
only a delightful playground and the people who lived there merely “home
folks.” To be sure, I invested some of the great ones with halos of
romance. This was not because I knew anything about their literary or
artistic attainments, but rather because of the lack of heroic
characters in the town. Had there been a Jesse James or a Charlie
Chaplin anywhere round, I should probably have woven my dreams of
adventure about them. But the jail was always singularly empty, and the
movies had not been invented. I was forced, therefore, to pin my
youthful imaginings upon a Hawthorne, an Emerson, or a Thoreau! I have
always felt I was greatly cheated.
I lived in the Old Manse, from which Hawthorne plucked his mosses. It
was built in 1760 by the Rev. William Emerson, the grandfather of Ralph
Waldo, and was a delightful house for a boy to grow up in. There was a
long hallway running from east to west, and from the stairway a line of
grisly divines, framed in black, looked down. They were mostly
ancestors, and they gave a terrible air of austerity to the interior;
but below and above were many redeeming features.
Public-domain text, read in full here on John Shaqi.
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