One was the swing shelf in the basement, always covered with fascinating goodies. Here on Saturday night one might cut with one’s jackknife a hunk of juicy meat roasted ready for Sunday’s dinner, and wash it down with cream from the shining pan of milk next to it. Here were preserves, jellies, cakes, and pies just cooling from the oven; while over in the corner barrels of apples were stored away for winter consumption. I shall never forget the delights of the swing shelf. The Old Manse was built in the manner of the eighteenth century—entirely of wood, the oaken timbers being held together with oaken plugs. We boys found it quite easy to draw these from place, and we used them for tholepins in our dory. Fortunately, the grown-ups got on to us or I believe the house would have eventually collapsed. There was a gabled roof with chimneys at both ends, and, of course, all sorts of wonderful nooks and crannies to hide away in. It was up in this attic that my grandmother Ripley was found by a caller rocking a cradle with her foot and holding a book in her hand which she was intently reading. It was written in Sanskrit! She apologized because she needed a dictionary to read this language. This was not so of Latin and Greek, as she read them fluently; but she used to say, “I cannot _think_ in Sanskrit.” She whom the name, “Peasant Princess,” fits better than any other, was the wife of Emerson’s father’s half-brother, and therefore older than Emerson. He used to spend a great deal of his time with her at the Old Manse, and she had much to do with influencing his life. One can see this from his letters as a boy. [Illustration: THE OLD MANSE AT CONCORD At the window—Edward Simmons’s mother; Under the umbrella—his sister Elizabeth; Standing—his first cousin, Sarah Alden (Thayer) Ames; Seated—one of his cousins of the Bradford branch. ] My grandmother’s sitting room was the delight of my life. There was a broad chimney shelf, and low down on the left-hand side a framed bit of handwriting, an invitation to Lieutenant Bradford to dine with General Washington. Over that was a big hornet’s nest, a stuffed owl, and, strangest of all, a copy of the “Beatrice Cenci” and Titian’s “Tribute Money,” brought back from Italy by my father. I always thought, as a child, that the head of Christ was a family portrait and that the Jew with the tribute money was a tradesman. Why the tradesman was giving one of us money instead of _vice versa_, I did not know.