Generally speaking, Indian philosophy, split up as it is into numerous metaphysical teachings, possesses, when united to Indian ontological doctrines, such a well developed logic, such a wonderfully refined psychology, that it might well take the first rank when contrasted with the schools, ancient and modern, idealist or positivist, and eclipse them all in turn. That positivism expounded by Lewis, that makes each particular hair on the heads of Oxford theologians stand on end, is ridiculous child's play compared with the atomistic school of Vaisheshika, with its world divided, like a chessboard, into six categories of everlasting atoms, nine substances, twenty-four qualities, and five motions. And, however difficult, and even impossible may seem the exact representation of all these abstract ideas, idealistic, pantheistic, and, sometimes, purely material, in the condensed shape of allegorical symbols, India, nevertheless, has known how to express all these teachings more or less successfully. She has immortalized them in her ugly, four-headed idols, in the geometrical, complicated forms of her temples, and even in the entangled lines and spots on the foreheads of her sectaries. We were discussing this and other topics with our Hindu fellow-travellers when a Catholic padre, a teacher in the Jesuit College of St. Xavier in Bombay, entered our carriage at one of the stations. Soon he could contain himself no longer, and joined in our conversation. Smiling and rubbing his hands, he said that he was curious to know on the strength of what sophistry our companions could find anything resembling a philosophical explanation "in the fundamental idea of the four faces of this ugly Shiva, crowned with snakes," pointing with his finger to the idol at the entrance to a pagoda. "It is very simple," answered the Bengali Babu. "You see that its four faces are turned towards the four cardinal points, South, North, West, and East--but all these faces are on one body and belong to one god." "Would you mind explaining first the philosophical idea of the four faces and eight hands of your Shiva," interrupted the padre. "With great pleasure. Thinking that our great Rudra (the Vedic name for this god) is omnipresent, we represent him with his face turned simultaneously in all directions. Eight hands indicate his omnipotence, and his single body serves to remind us that he is One, though he is everywhere, and nobody can avoid his all-seeing eye, or his chastising hand." The padre was going to say something when the train stopped; we had arrived at Narel.