French fiction -- Translations into English; Paris (France) -- Fiction
While Risler was parading his delight through all the rooms of the new
apartment, Sidonie remained alone in her bedroom. By the light of the
little blue lamp hanging from the ceiling, she glanced first of all at
the mirror, which gave back her reflection from head to foot, at all her
luxurious surroundings, so unfamiliar to her; then, instead of going
to bed, she opened the window and stood leaning against the sill,
motionless as a statue.
The night was clear and warm. She could see distinctly the whole
factory, its innumerable unshaded windows, its glistening panes, its
tall chimney losing itself in the depths of the sky, and nearer at hand
the lovely little garden against the ancient wall of the former mansion.
All about were gloomy, miserable roofs and squalid streets. Suddenly
she started. Yonder, in the darkest, the ugliest of all those attics
crowding so closely together, leaning against one another, as if
overweighted with misery, a fifth-floor window stood wide open, showing
only darkness within. She recognized it at once. It was the window of
the landing on which her parents lived.
The window on the landing!
How many things the mere name recalled! How many hours, how many
days she had passed there, leaning on that damp sill, without rail or
balcony, looking toward the factory. At that moment she fancied that she
could see up yonder little Chebe’s ragged person, and in the frame made
by that poor window, her whole child life, her deplorable youth as a
Parisian street arab, passed before her eyes.
CHAPTER II. LITTLE CHEBE’S STORY
In Paris the common landing is like an additional room, an enlargement
of their abodes, to poor families confined in their too small
apartments. They go there to get a breath of air in summer, and there
the women talk and the children play.
When little Chebe made too much noise in the house, her mother would say
to her: “There there! you bother me, go and play on the landing.” And
the child would go quickly enough.
This landing, on the upper floor of an old house in which space had not
been spared, formed a sort of large lobby, with a high ceiling, guarded
on the staircase side by a wrought-iron rail, lighted by a large window
which looked out upon roofs, courtyards, and other windows, and, farther
away, upon the garden of the Fromont factory, which was like a green
oasis among the huge old walls.
There was nothing very cheerful about it, but the child liked it much
better than her own home. Their rooms were dismal, especially when it
rained and Ferdinand did not go out.
With his brain always smoking with new ideas, which unfortunately
never came to anything, Ferdinand Chebe was one of those slothful,
project-devising bourgeois of when there are so many in Paris. His
wife, whom he had dazzled at first, had soon detected his utter
insignificance, and had ended by enduring patiently and with unchanged
demeanor his continual dreams of wealth and the disasters that
immediately followed them.
Public-domain text, read in full here on John Shaqi.
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