French fiction -- Translations into English; Paris (France) -- Fiction
Of the dot of eighty thousand francs which she had brought him, and
which he had squandered in his absurd schemes, only a small annuity
remained, which still gave them a position of some importance in the
eyes of their neighbors, as did Madame Chebe’s cashmere, which had been
rescued from every wreck, her wedding laces and two diamond studs, very
tiny and very modest, which Sidonie sometimes begged her mother to show
her, as they lay in the drawer of the bureau, in an old-fashioned white
velvet case, on which the jeweller’s name, in gilt letters, thirty years
old, was gradually fading. That was the only bit of luxury in that poor
annuitant’s abode.
For a very long time M. Chebe had sought a place which would enable him
to eke out their slender income. But he sought it only in what he called
standing business, his health forbidding any occupation that required
him to be seated.
It seemed that, soon after his marriage, when he was in a flourishing
business and had a horse and tilbury of his own, the little man had
had one day a serious fall. That fall, to which he referred upon every
occasion, served as an excuse for his indolence.
One could not be with M. Chebe five minutes before he would say in a
confidential tone:
“You know of the accident that happened to the Duc d’Orleans?”
And then he would add, tapping his little bald pate “The same thing
happened to me in my youth.”
Since that famous fall any sort of office work made him dizzy, and he
had found himself inexorably confined to standing business. Thus, he had
been in turn a broker in wines, in books, in truffles, in clocks, and
in many other things beside. Unluckily, he tired of everything, never
considered his position sufficiently exalted for a former business man
with a tilbury, and, by gradual degrees, by dint of deeming every sort
of occupation beneath him, he had grown old and incapable, a genuine
idler with low tastes, a good-for-nothing.
Artists are often rebuked for their oddities, for the liberties they
take with nature, for that horror of the conventional which impels them
to follow by-paths; but who can ever describe all the absurd fancies,
all the idiotic eccentricities with which a bourgeois without occupation
can succeed in filling the emptiness of his life? M. Chebe imposed upon
himself certain rules concerning his goings and comings, and his walks
abroad. While the Boulevard Sebastopol was being built, he went twice a
day “to see how it was getting on.”
No one knew better than he the fashionable shops and the bargains; and
very often Madame Chebe, annoyed to see her husband’s idiotic face at
the window while she was energetically mending the family linen, would
rid herself of him by giving him an errand to do. “You know that place,
on the corner of such a street, where they sell such nice cakes. They
would be nice for our dessert.”
Public-domain text, read in full here on John Shaqi.
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