French fiction -- Translations into English; Paris (France) -- Fiction
Sometimes she talked of travelling, of leaving Paris. At other times she
insisted that she must enter a convent. Her friends were sorely
perplexed, and strove to discover the cause of that singular state of
mind, which was even more alarming than her illness; when she suddenly
confessed to her mother the secret of her melancholy.
She loved the elder Risler! She never had dared to whisper it; but it
was he whom she had always loved and not Frantz.
This news was a surprise to everybody, to Risler most of all; but little
Chebe was so pretty, her eyes were so soft when she glanced at him, that
the honest fellow instantly became as fond of her as a fool! Indeed, it
may be that love had lain in his heart for a long time without his
realizing it.
And that is how it happened that, on the evening of her wedding-day,
young Madame Risler, in her white wedding-dress, gazed with a smile of
triumph at the window on the landing which had been the narrow setting of
ten years of her life. That haughty smile, in which there was a touch of
profound pity and of scorn as well, such scorn as a parvenu feels for his
poor beginnings, was evidently addressed to the poor sickly child whom
she fancied she saw up at that window, in the depths of the past and the
darkness. It seemed to say to Claire, pointing at the factory:
"What do you say to this little Chebe? She is here at last, you see!"
CHAPTER VI
Noon. The Marais is breakfasting.
Sitting near the door, on a stone which once served as a horse-block
for equestrians, Risler watches with a smile the exit from the factory.
He never loses his enjoyment of the outspoken esteem of all these good
people whom he knew when he was insignificant and humble like themselves.
The "Good-day, Monsieur Risler," uttered by so many different voices, all
in the same affectionate tone, warms his heart. The children accost him
without fear, the long-bearded designers, half-workmen, half-artists,
shake hands with him as they pass, and address him familiarly as "thou."
Perhaps there is a little too much familiarity in all this, for the
worthy man has not yet begun to realize the prestige and authority of his
new station; and there was some one who considered this free-and-easy
manner very humiliating. But that some one can not see him at this
moment, and the master takes advantage of the fact to bestow a hearty
greeting upon the old bookkeeper, Sigismond, who comes out last of all,
erect and red-faced, imprisoned in a high collar and bareheaded--whatever
the weather--for fear of apoplexy.
He and Risler are fellow-countrymen. They have for each other a profound
esteem, dating from their first employment at the factory, from that
time, long, long ago, when they breakfasted together at the little
creamery on the corner, to which Sigismond Planus goes alone now and
selects his refreshment for the day from the slate hanging on the wall.
Public-domain text, read in full here on John Shaqi.
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