French fiction -- Translations into English; Paris (France) -- Fiction
At last, weary of waiting, she sends a servant to tell Monsieur that
breakfast is served; but the game is so far advanced that Monsieur does
not see how he can go away, how he can interrupt these explosions of
laughter and little bird-like cries. He succeeds at last, however, in
giving the child back to its nurse, and enters the hall, laughing
heartily. He is laughing still when he enters the dining-room; but a
glance from his wife stops him short.
Sidonie is seated at table before the chafing-dish, already filled. Her
martyr-like attitude suggests a determination to be cross.
"Oh! there you are. It's very lucky!"
Risler took his seat, a little ashamed.
"What would you have, my love? That child is so--"
"I have asked you before now not to speak to me in that way. It isn't
good form."
"What, not when we're alone?"
"Bah! you will never learn to adapt yourself to our new fortune. And
what is the result? No one in this place treats me with any respect.
Pere Achille hardly touches his hat to me when I pass his lodge. To be
sure, I'm not a Fromont, and I haven't a carriage."
"Come, come, little one, you know perfectly well that you can use Madame
Chorche's coupe. She always says it is at our disposal."
"How many times must I tell you that I don't choose to be under any
obligation to that woman?"
"O Sidonie"
"Oh! yes, I know, it's all understood. Madame Fromont is the good Lord
himself. Every one is forbidden to touch her. And I must make up my
mind to be a nobody in my own house, to allow myself to be humiliated,
trampled under foot."
"Come, come, little one--"
Poor Risler tries to interpose, to say a word in favor of his dear Madame
"Chorche." But he has no tact. This is the worst possible method of
effecting a reconciliation; and Sidonie at once bursts forth:
"I tell you that that woman, with all her calm airs, is proud and
spiteful. In the first place, she detests me, I know that. So long as I
was poor little Sidonie and she could toss me her broken dolls and old
clothes, it was all right, but now that I am my own mistress as well as
she, it vexes her and humiliates her. Madame gives me advice with a
lofty air, and criticises what I do. I did wrong to have a maid. Of
course! Wasn't I in the habit of waiting on myself? She never loses a
chance to wound me. When I call on her on Wednesdays, you should hear
the tone in which she asks me, before everybody, how 'dear Madame Chebe'
is. Oh! yes. I'm a Chebe and she's a Fromont. One's as good as the
other, in my opinion. My grandfather was a druggist. What was hers?
A peasant who got rich by money-lending. I'll tell her so one of these
days, if she shows me too much of her pride; and I'll tell her, too, that
their little imp, although they don't suspect it, looks just like that
old Pere Gardinois, and heaven knows he isn't handsome."
"Oh!" exclaims Risler, unable to find words to reply.
Public-domain text, read in full here on John Shaqi.
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