Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
his staff; and the peasant traces a new channel for it down to his
mill-wheel. But this stream has no companions; it flows on in an
infinite seclusion, not secret, nor threatening, but a quietness of
sweet daylight and open air--a broad space of tender and deep
desolateness, drooped into repose out of the midst of human labour and
life; the waves plashing lowly, with none to hear them; and the wild
birds building in the boughs, with none to fray them away; and the
soft, fragrant herbs rising and breathing and fading, with no hand to
gather them;--and yet all bright and bare to the clouds above, and to
the fresh fall of the passing sunshine and pure rain. But above the
brows of these scarped cliffs, all is in an instant changed. A few
steps only beyond the firs that stretch their branches, angular, and
wild, and white, like forks of lightning, into the air of the
ravine,--and we are in an arable country of the most perfect richness;
the swathes of its corn glowing and burning from field to field: its
pretty hamlets all vivid with fruitful orchards, and flowery garden,
and goodly with steep-roofed storehouse and barn; its well-kept, hard,
park-like roads rising and falling from hillside to hillside, or
disappearing among brown banks of moss, and thickets of the wild
raspberry and rose, or gleaming through lines of tall trees, half
glade, half avenue, where the gate opens, or the gateless path turns
trustedly aside, unhindered, into the garden of some statelier house,
surrounded in rural pride with its golden hives, and carved granaries,
and irregular domain of latticed and espaliered cottages, gladdening
to look upon in their delicate homeliness--delicate, yet in some sort,
rude; not like our English homes--trim, laborious, formal,
irreproachable in comfort--but with a peculiar carelessness and
largeness in all their detail, harmonizing with the outlawed
loveliness of their country. For there is an untamed strength even in
all that soft and habitable land. It is indeed gilded with corn, and
fragrant with deep grass, but it is not subdued to the plough or to
the scythe. It gives at its own free will; it seems to have nothing
wrested from it, nor conquered in it. It is not redeemed from
desertness, but unrestrained in fruitfulness,--a generous land, bright
with capricious plenty, and laughing from vale to vale in fitful
fulness, kind and wild. Nor this without some sterner element mingled
in the heart of it. For, along all its ridges stand the dark masses of
innumerable pines,[11] taking no part in its gladness; asserting
themselves for ever as fixed shadows, not to be pierced or banished
even in the intensest sunlight; fallen flakes and fragments of the
night, stayed in their solemn squares in the midst of all the rosy
bendings of the orchard boughs and yellow effulgence of the harvest,
and tracing themselves in black network and motionless fringes against
the blanched blue of the horizon in its saintly clearness. And yet
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