Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
they do not sadden the landscape, but seem to have been set there
chiefly to show how bright everything else is round them; and all the
clouds look of pure silver, and all the air seems filled with a whiter
and more living sunshine, where they are pierced by the sable points
of the pines; and all the pastures look of more glowing green where
they run up between the purple trunks; and the sweet field footpaths
skirt the edges of the forest for the sake of its shade, sloping up
and down about the slippery roots, and losing themselves every now and
then hopelessly among the violets and ground-ivy and brown sheddings
of the fibrous leaves, and at last plunging into some open aisle,
where the light through the distant stems shows that there is a chance
of coming out again on the other side; and coming out indeed in a
little while from the scented darkness into the dazzling air and
marvellous landscape, which stretches still farther and farther in new
wilfulness of grove and garden, until at last the craggy mountains of
the Simmenthal rise out of it, sharp into the rolling of the southern
clouds.
[11] Almost the only pleasure I have, myself, in rereading my old books,
is my sense of having at least done justice to the pine. Compare the
passage in this book, No. 47.
19.[12] Although there are few districts of Northern Europe, however
apparently dull or tame, in which I cannot find pleasure; though the
whole of Northern France (except Champagne), dull as it seems to most
travellers, is to me a perpetual paradise; and, putting Lincolnshire,
Leicestershire, and one or two such other perfectly flat districts
aside, there is not an English county which I should not find
entertainment in exploring the cross-roads of, foot by foot,--yet all
my best enjoyment would be owing to the imagination of the hills,
colouring with their far-away memories every lowland stone and herb.
The pleasant French coteau, green in the sunshine, delights me either
by what real mountain character it has in itself, (for in extent and
succession of promontory, the flanks of the French valleys have quite
the sublimity of true mountain distances,) or by its broken ground and
rugged steps among the vines, and rise of the leafage above against
the blue sky, as it might rise at Vevay or Como. There is not a wave
of the Seine, but is associated in my mind with the first rise of the
sandstones and forest pines of Fontainebleau; and with the hope of the
Alps, as one leaves Paris, with the horses' heads to the southwest,
the morning sun flashing on the bright waves at Charenton. If there be
no hope or association of this kind, and if I cannot deceive myself
into fancying that perhaps at the next rise of the road there may be
the film of a blue hill in the gleam of sky at the horizon, the
landscape, however beautiful, produces in me even a kind of sickness
and pain; and the whole view from Richmond Hill or Windsor
Terrace,--nay, the gardens of Alcinous, with their perpetual
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