Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
ceases to feel them if he is always with them; but the sky is for all:
bright as it is, it is not
"too bright nor good
For human nature's daily food;"
it is fitted in all its functions for the perpetual comfort and
exalting of the heart,--for soothing it, and purifying it from its
dross and dust. Sometimes gentle, sometimes capricious, sometimes
awful--never the same for two moments together; almost human in its
passions, almost spiritual in its tenderness, almost divine in its
infinity, its appeal to what is immortal in us is as distinct as its
ministry of chastisement or of blessing to what is mortal is
essential. And yet we never attend to it, we never make it a subject
of thought, but as it has to do with our animal sensations; we look
upon all by which it speaks to us more clearly than to brutes, upon
all which bears witness to the intentions of the Supreme that we are
to receive more from the covering vault than the light and the dew
which we share with the weed and the worm, as only a succession of
meaningless and monotonous accident, too common and too vain to be
worthy of a moment of watchfulness, or a glance of admiration. If in
our moments of utter idleness and insipidity, we turn to the sky as a
last resource, which of its phenomena do we speak of? One says, it has
been wet; and another, it has been windy; and another, it has been
warm. Who among the whole chattering crowd can tell one of the forms
and the precipices of the chain of tall white mountains that girded
the horizon at noon yesterday? Who saw the narrow sunbeam that came
out of the south, and smote upon their summits until they melted and
mouldered away in a dust of blue rain? Who saw the dance of the dead
clouds when the sunlight left them last night, and the west wind blew
them before it like withered leaves? All has passed unregretted as
unseen; or, if the apathy be ever shaken off even for an instant, it
is only by what is gross, or what is extraordinary. And yet it is not
in the broad and fierce manifestations of the elemental energies, not
in the clash of the hail, nor the drift of the whirlwind, that the
highest characters of the sublime are developed. God is not in the
earthquake, nor in the fire, but in the still, small voice. They are
but the blunt and the low faculties of our nature, which can only be
addressed through lamp-black and lightning. It is in quiet and subdued
passages of unobtrusive majesty, the deep and the calm, and the
perpetual; that which must be sought ere it is seen, and loved ere it
is understood; things which the angels work out for us daily, and yet
vary eternally; which are never wanting, and never repeated; which are
to be found always, yet each found but once;--it is through these that
the lesson of devotion is chiefly taught, and the blessing of beauty
given.
Public-domain text, read in full here on John Shaqi.
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