Frondes Agrestes: Readings in 'Modern Painters'Ruskin, John
Philosophy
Frondes Agrestes: Readings in 'Modern Painters'
Ruskin, John
Art; Painting
I cannot tell the half of the strange pleasures and thoughts that come
about me at the sight of that old tower; for, in some sort, it is the
epitome of all that makes the continent of Europe interesting, as
opposed to new countries; and, above all, it completely expresses that
agedness in the midst of active life which binds the old and the new
into harmony. We in England have our new streets, our new inn, our
green shaven lawn, and our piece of ruin emergent from it--a mere
_specimen_ of the Middle Ages put on a bit of velvet carpet, to be
shown; and which, but for its size, might as well be on a museum shelf
at once, under cover;--but, on the Continent, the links are unbroken
between the past and present; and, in such use as they can serve for,
the grey-headed wrecks are suffered to stay with men; while, in
unbroken line, the generations of spared buildings are seen
succeeding, each in its place. And thus, in its largeness, in its
permitted evidence of slow decline, in its poverty, in its absence of
all pretence, of all show and care for outside aspect, that Calais
tower has an infinite of symbolism in it, all the more striking
because usually seen in contrast with English scenes expressive of
feelings the exact reverse of these.[13]
[13] My friend won't write out the reverse! Our book is to be all jelly,
and no powder, it seems. Well, I'm very thankful she likes the
jelly,--at any rate, it makes me sure that _it_ is well made.
SECTION III.
ILLUSTRATIVE: THE SKY.
21. It is a strange thing how little in general people know about the
sky. It is the part of creation in which Nature has done more for the
sake of pleasing man--more for the sole and evident purpose of talking
to him, and teaching him--than in any other of her works; and it is
just the part in which we least attend to her. There are not many of
her other works in which some more material or essential purpose than
the mere pleasing of man is not answered by every part of their
organization; but every essential purpose of the sky might, so far as
we know, be answered if once in three days, or thereabouts, a great,
ugly, black rain-cloud were brought up over the blue, and everything
well watered, and so all left blue again till next time, with perhaps
a film of morning and evening mist for dew;--and instead of this,
there is not a moment of any day of our lives, when Nature is not
producing scene after scene, picture after picture, glory after glory,
and working still upon such exquisite and constant principles of the
most perfect beauty, that it is quite certain[14] it is all done for
us, and intended for our perpetual pleasure. And every man, wherever
placed, however far from other sources of interest or of beauty, has
this doing for him constantly. The noblest scenes of the earth can be
seen and known but by few; it is not intended that man should live
always in the midst of them; he injures them by his presence, he
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