Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
“But I don’t see what he wanted to take dat rabbit-foot fer,” Hopey
declared. “He’s tole me plenty times dat he didn’t b’lieve in foots; he
b’lieves in faith.”
“It’s wuth a thousan’ dollars—dat how come he took it!” Mustard bawled.
“Mebbe it’s wuth a millyum; how does I know? Marse Tom, he’s got it all
fixed up wid silver trimmin’s an’ in a plush box. Dat ain’t no cheap,
common, nigger rabbit-foot. Dat’s a royal rabbit-foot, an’ it fotch
Marse Tom all de luck he ever had. He tole me dat his own self.”
“Why don’t you go to Popsy an’ ax him fer it?”
“Dat ole lyin’ thief will say he ain’t got it, an’ ain’t never had it,
an’ don’t know nothin’ about it,” Mustard wailed. “Atter dat, whar is I
at?”
“Tell him dat it b’longs to Marse Tom, an’ you want it back,” Hopey
urged.
“Yep. An’ dat ole gizzard will swell up an’ sw’ar he ain’t got nothin’
of Marse Tom’s an’ offer to go down to de bank an’ prove it befo’ Marse
Tom’s own face. I don’t dast let Marse Tom know I done loss dat
rabbit-foot. De kunnel would kill me dead!”
“I never thought of dat,” Hopey sighed.
“You don’t think about nothin’,” Mustard wailed. “Here I is in de wuss
mess I’m ever got into, an’ you ain’t think about nothin’. Look at dis
here jam. If Marse Tom finds out I loss de rabbit-foot, he’ll kill me;
ef I ax dat ole Popsy-sneak to gib it back, mebbe he’ll blab dat it’s
lost, an’ Marse Tom will hear about it, an’ I’ll git kilt jes’ de same.
Anyhow, dat foot is plum’ gone an’——”
“Why don’t you git somebody to git it back fer you?” Hopey asked. “Ef
Popsy stole it, it ’pears to me like somebody oughter be able to steal
it back.”
“Suttinly, ef dey kin find it,” Mustard said, the light of new hope
shining in his eyes. “I’d gib somebody one hundred dollars to steal it
back fer me agin.”
“Dat’s plenty lib’ral,” Hopey said. “Mebbe ef you’ll hunt aroun’ you kin
find somebody.”
Mustard quieted down and gave himself to deep meditation, trying to
think of someone sufficiently bold to hold up Popsy and extract the
treasure from his pocket.
Hopey took this opportunity to leave the room. She had heard a great
deal from Mustard, and she did not care to be around when he began to
mourn and lament again. She was a fat woman, and desired calm
environments, and sought the ways of peace. Moreover, she did not
attribute the same value to the rabbit-foot that Mustard did. It seemed
to her that Gaitskill had given it to Mustard to keep for his own, and
that he cared nothing for it, had forgotten all about it; he could not
attach much importance to its possession when he had never made inquiry
about it in all the time that Mustard had guarded it so zealously.
But Mustard was the best negro overseer in Louisiana for this reason as
much as any other: he took care of things, regarded his employer’s
property as more valuable even than his own, and everything belonging to
Marse Tom was to be kept in order for the day when he should give an
account of his stewardship.
Public-domain text, read in full here on John Shaqi.
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