Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title — John Shaqi
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
After a while, Hopey thought of her friend, Dazzle Zenor. Dazzle had
good sense, possessed the wisdom which comes from many varied
experiences, and she would be able to help her now. She heard certain
noises in the next room, which indicated that Mustard was getting ready
to explode again, so she hastily left the house and went to town.
Dazzle lived in Ginny Babe Chew’s boardinghouse in Dirty-Six. So Hopey
climbed pantingly to the second floor of this house and knocked on her
door.
“Who’s dat?”
“Hopey Prophet is done come on bizzness. Open dis door!”
“Whut you come to see me fur?” Dazzle asked promptly, after she had
admitted Hopey.
Dazzle was a woman who met all the exactions of Ethiopian beauty. Her
skin as black as jet, her teeth like milk, her eyes so dark that they
had a bluish tinge, slim and strong and graceful, an actress, a dancer,
a singer, she was the dusky belle of Tickfall. Every negro man who had
married anybody in the past four years had first proposed to and been
rejected by Dazzle.
Many of Dazzle’s enterprises were highly adventurous, and she was always
fearful and suspicious. So when Hopey hesitated to begin, Dazzle’s tone
became sharp with anxiety:
“Whut you come to see me fur?” she repeated.
“I come to consult wid you about a little scrape our fambly is got into,
Dazzle,” Hopey began. “Us is liable to hab plenty trouble onless
somebody kin he’p us.”
“Whut’s done busted loose now?” Dazzle asked easily. Her mind was now at
rest, for nothing that could happen to Hopey’s family could impinge on
any of Dazzle’s previous escapades.
“Mustard is done loss his rabbit-foot!” Hopey exclaimed in tragic tones.
Dazzle laughed.
“I’ll gib Mustard a hatful of dem things. I’m got about twenty.”
“But dis here is a royal rabbit-foot,” Hopey said with emphasis.
“I never heerd of dat kind, but ’tain’t no ’count whutever it is,”
Dazzle smiled. “I done tried all kinds, an’ I knows.”
“But dis rabbit-foot b’longed to Marse Tom Gaitskill,” Hopey informed
her, “an’ Mustard lost it, an’ Marse Tom will kill Mustard ef he don’t
git it back.”
“No doubts,” Dazzle chuckled. “White folks ain’t got no real good sense,
an’ nobody cain’t tell whut dey will do.”
Then Dazzle listened while Hopey told the tale of the disappearance of
the rabbit-foot. Dazzle was not much impressed with this story of
another’s misfortune, but at the last one sentence stimulated her
interest:
“Mustard says he will pay one hundred dollars to whoever gits his foot
back.”
That was speaking in language which Dazzle could understand. She sprang
to her feet.
“I’ll earn dat hundred dollars right now,” Dazzle proclaimed. “I’ll go
out to Popsy’s cabin an’ pull his nose till he gibs up dat foot.”
“’Tain’t possible, Dazzle,” Hopey said. “We don’t want Marse Tom to know
dat de foot is lost. Ef you go to pullin’ noses an’ skinnin’ shins,
Popsy will beller, an’ Marse Tom will hear about dat.”
Public-domain text, read in full here on John Shaqi.
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