Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
They found an eagle’s nest, came too near, and were followed for miles
by a screaming bird which swooped down upon them, fanned her immense
wings within an inch of their hats, and snapped her vicious beak in
their faces with a noise like the snip of immense shears. Once they saw
a panther crouched upon a live-oak limb, his eyes glowing in the jungle
shadows like living rubies; the animal screamed at them—the only thing
which ever extracted a burst of speed from Jinx. They were followed for
miles as they went out of that swamp by that screaming, snarling,
hissing, spitting cat.
Once Little Bit turned around and made a noise like an exploding
pop-bottle, a method which he had found efficacious in frightening
domestic cats away. The vocal answer to Little Bit’s elocutionary effort
was so terrifying that Jinx nearly jumped out of his skin.
Then one day, on the edge of a little clearing, they found a six-foot
alligator asleep in the sun.
They dismounted and walked closer. The alligator slept on.
“How close can we get to this thing before he wakes up, Little Bit?” Org
asked.
“He’s awake right now,” Little Bit told him. “He pretends like he’s so
sleepy he’s mighty nigh dead, but he knows we is here all right. But he
won’t move till you gits right on him, close enough to tech him wid yo’
hand.”
“What’ll he do then?” Org wanted to know.
“He’ll slap his tail aroun’ and knock yo’ foots out from under you an’
bite yo’ leg plum’ off,” Little Bit informed him. “He’s layin’ dar now
waitin’ fer a wild pig to come rootin’ aroun’ him like wild pigs does
aroun’ logs. Den he’ll slap ’em wid his tail an’ bite ’em in two.”
The boys backed away, climbed upon the trunk of a fallen tree, and
looked across the underbrush at the alligator. He was as still as an old
rusty stove-pipe, which he somewhat resembled.
“Less take that rope off our saddle and rope him,” Org suggested. “They
rope everything in California, cattle and everything.”
“Who’s gwine put dat rope aroun’ dat alligator?” Little Bit asked.
“You can do that,” Org replied as he untied the rope from the saddle.
“Mebbe I kin, but I ain’t gwine to,” Little Bit asserted, climbing up on
the back of the mule. “Little Bit don’t choose but a little bit of
alligator in his’n. Dis mule don’t hanker fer none.”
“All right, ’fraid-cat,” Org taunted. “You hold the mule, and I’ll throw
the rope.”
Like most boys who had lived in the West, Org had often played with a
rope, looping it and throwing it in imitation of the cowmen. He climbed
upon a trunk of a fallen tree about thirty feet from the quiescent
alligator, coiled the rope, and threw it with wonderful luck. The coil
straightened, and the open loop fell right in front of the alligator.
Public-domain text, read in full here on John Shaqi.
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