Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title — John Shaqi
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
In the less remote sections the alligator is fearful, for it has learned
the menace of man. But this one had possibly never seen a human being
before. When the rope fell it moved forward a few feet and became quiet
again. Org gave the rope a quick jerk, and the loop caught under one of
the alligator’s front feet and over his head. Org was standing by a limb
upon the fallen tree, bracing himself to keep his balance. Quickly he
twisted his end of the rope around the limb and tied it.
The creature was still unaware that it was captive. Org threw a few
branches from the tree in its direction, and it crawled slowly forward a
few feet. At last it came to the end of the rope.
A hoarse, coughlike bark rang through the forest, and instantly that
six-foot alligator was a snarling fury as it entered into combat with
its bonds. For ten minutes the two frightened boys beheld the most
terrifying spectacle they had ever imagined. Org scuttled down from the
treetrunk and took refuge with Little Bit upon the back of the mule,
making ready for instant flight.
Within a radius of that rope the alligator beat down the marsh-grass as
flat as if a road-rolling machine had passed over it. He got into the
low underbrush and pounded it down, making a noise like an express train
with his powerful clawing feet and his slapping tail. He roared and
raised himself almost upright on his tail, and clawed at the rope with
his front feet as a man would fight with his hands, and snapped his
great jaws together like the slapping of two clapboards.
But he could never succeed in getting the rope between his teeth, for
the reason that he could not turn his head or lower his chin. Finally,
in an awful burst of fury, he threw himself backward, rolled over and
over, slapping, thrashing, clawing, snarling, uttering awful coughlike
barks to which a thousand echoes in the forest responded in kind. The
boys wondered at the creature’s catlike agility, shuddered at the
concentrated venomous fury of the battle, quivered with awe at the
agonizing, snarling vociferation emitted from between those terrible,
gnashing, snapping teeth.
Yet the very configuration of the woods fought for the boys. The rope
was constantly taut, for the reason that it could hardly be moved
without becoming entangled with roots and cypress knees and the tough
underbrush and the clinging, almost unbreakable vines called bamboo. The
struggle against these obstacles slowly exhausted the alligator’s
strength.
At last he sank down and remained quiet.
After a while the boys mustered their courage and crept forward to see.
They found their captive had twisted the rope around the cypress knees
and projecting roots until he was tied to the ground and helpless. His
eyes were not sleepy now. They glowed with baleful flames, ugly,
piglike, with glints of green in their fires of fury. The big mouth
gaped wide when he saw the boys, and the jaws snapped with frightful
force.
Public-domain text, read in full here on John Shaqi.
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