Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title — John Shaqi
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No TitleMeans, E. K. (Eldred Kurtz)
General
Further E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That This Third Book, Like the First and Second, Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
After a consultation, the two boys ran across the clearing to a
switch-cane jungle and cut two long cane poles. Returning with these,
they began to prod and torment the alligator, thrusting the poles into
his mouth when he opened it; and when he no longer would let them look
at his tongue, they still pursued their medical examination by punching
him in every place where they thought he might have a particularly
tender spot.
This roused him to another performance, a fury of struggle in which he
fought and roared and barked and clawed at the rope, and thrashed with
his tail, and chased the two boys up a tree until his activities abated.
All day long they tormented the alligator, exhausting every resource in
their efforts to get him, as they expressed it, “to cut up some more.”
But after five or six hours there was no more fight in him.
When the alligator showed plainly that he had made positively his last
appearance as an entertainer, the boys decided it was time to start for
home.
“How we gwine git our rope back?” Little Bit asked.
“Let that old sucker keep his old rope. I don’t want it,” Org said,
wiping the sweat from his face on the sleeve of his shirt and sitting
down in utter weariness.
“Marse Tom will bust us ef we leaves dat rope out in dese here woods,”
Little Bit warned him. “Ropes comes high in de store ef you got to pay
fer ’em.”
“I’ll tell Uncle Tom where it is, and let him come after it when he
wants it,” Org replied.
“You better not let dat white man know we been out here monkeyin’ wid a
alligator,” Little Bit said. “He’ll sell our mule an’ put me in jail an’
flay de hide offen you.”
“That’s so,” Org agreed. “Well, the old alligator is nearly dead. Let’s
tie our end of the rope to the saddle and make old Jinx drag the
alligator up to the house. Then when he dies we can get the rope off
him.”
Little Bit agreed to this, and it was not hard to do. They had whipped
the alligator until there was no more fight in him, and wearied him
until there was not more strength to fight. Their hardest work was
untwisting the rope, for as they got nearer to the alligator they had to
pry the rope from around the roots and snags with a pole. They never got
the courage to get close to those jaws which had snapped at them so
terribly.
Jinx did not object to a little light hauling when a white boy walked on
one side and a black boy on the other, acting as escort of honor. The
alligator was easily dragged over the marsh-grass and along the animal
trails toward the town. Although dragged for over three miles, he at no
time showed resistance or attempted to “cut up.”
In the rear of the Gaitskill stables there was a large pig-pen, to which
admittance was gained by a gate. Org led the mule in such a way that the
alligator faced the gate. Then he led the mule around to the other side
of the pen, led him forward, and thus dragged the alligator through the
open gate.
Public-domain text, read in full here on John Shaqi.
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